With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
很多线索设置是能圆得起整个大话西游的故事，女主选角也对得起观众时间。
确实，已经是超级赛亚人之神了，何必凑齐七龙珠还变回第一阶段。
这种完全过时的东西，一旦内容的刺激度没有办法在文本上越来越满，结果就必然是观看性的彻底坍塌。《刺猬索尼克2》引入了新角色，叙事视点却散了。导演完全没有能力去多讲一点更复杂的故事内容，人物关系结构稍微复杂，叙事就全乱了套了。就像是资源再分配，完全是每个角色走马灯式的推进模式，没有亮点，没有弧光，没有思考，没有搞笑。曾经的喜剧天王，如今只能在这种粗制滥造的IP低幼剧里饰演反派，装疯卖傻。是一个旧有喜剧风格的终结，英雄迟暮，悲哀种种。
第一部音速索尼克，第2部超塞索尼克，第三部黑悟空，哦不好意思说错了，黑尼克
低龄向剧情，人物也有些脸谱化，感觉全片哪哪都差点意思，导致很难打上一个合适的标签，说科幻差点意思，说喜剧包袱不够多，说动作大场面差强人意，说情感流露的感情也很表面化。唯一值得称赞的是Sonic两个新伙伴的“真人化”形象满分，还原度甚至比Sonic更高。P.S.编剧似乎很喜欢cue漫威，蛋头博士如万磁王般组建理想武器，打造了一个大号反浩克装甲，西伯利亚场景提及冬兵，与至尊翡翠合体的形象形似惊队（一说超级赛亚人）
荒謬不經的情況下有真誠地令我享受的時刻 ||"stairs"
都2022年了，动画片还能这么难看？说教意义好大。
5.7分不至于，男女主演得都不尬，女主还挺适合紫霞这个角色，是我见过这么多紫霞里除朱茵外最适合的，男主看着丑丑的，看惯了就还好，挺顺眼的，主要演的都不差，已经可以及格了， 编剧和导演一定是星爷的粉丝，除了最基本的大话西游的元素，凑满了各种星爷电影的演员，比如招亲的父亲是美人鱼的那个飞天老板，算命的是功夫里的老乞丐，客栈的妖怪风格也很像西游伏妖篇的蜘蛛精，处理人肉很像降魔篇的猪刚鬣客栈，老的老板娘是美人鱼和降魔篇的那个大妈，被杀的顾客是少林足球里的猪肉荣 还有其他彩蛋，比如仙剑的御剑飞行，白夜追凶的老板娘，西虹市首富的台湾老板， 演的大部分不尬能看下去的同时，光是找彩蛋就满满的惊喜，反正我挺满意这部电影，
20/7/2022 @ Festival Grand。兩小時太長啦！今集雖然很還原遊戲中的設定，但故事性比上集弱太多，真人角色們只剩下搞笑的作用….
游戏元素揉进传统动画桥段略拙劣，偏讨巧，金凯瑞的反派演绎是最大的看点。
三只，红黄蓝三原色代表力量智慧速度。
合家欢电影2.0，为了支持金凯瑞叔叔怎么说也要刷一遍。
实在是不想说话，没见过这么烂的片子！纯靠特效，剧情稀烂，黑人一点儿不出彩…成色垃圾，不推荐
最近看blockbuster看少了看这部觉得很尬 但也想通过这部讨论一下白男演员的生存空间 james marsden之前是和alexander scarsgard演稻草狗的 现在只能在这种和跳跳兔里打打酱油 感慨一下白男没啥特色演员花期太短了 照样无聊 原声甚至没第一部好 睡得很香/AMC Newport center
大话西游正片以外拍的最好的一部了，能看得见的穷剧组啊…观感一般，致敬达叔最后一部电影，该给四星
8岁的小学生小王看的很开心。比第一部好了不少，起码不是幼儿园level了。
这个叙事和节奏实在太老套了 即使游戏ip真的不好拍也不应该这么敷衍了事 本来就是个老ip没有多少粉丝基础 靠着节约成本实现盈利倒不如不拍 金凯瑞是多么适合现在的商业电影 但只能在这种三流片中混口饭实在可惜 这个故事这么勉强拍三部曲多买游戏能多卖多少呢
是在抖音上看到达叔后来看的。“欲知前世因，今生受者是。欲知来世果，今生作者是。”做为网大电影，还可以吧。出现了一些经典的镜头和歌曲。片尾曲《祈缘》很好听。
工业水准没问题 镜头内容太差
相比第一部人类的作用更大了，就代表会有很多多余的情节，而且从剧情到情节都是俗套无比，第一部的剧情勉强还能看得过去，不会让人感觉到不适，一本正经的讲一个很俗很傻的故事，现好莱坞商业娱乐电影的通病，金凯瑞是加分项。（话说虽然很烂，但还是有些期待下一部接下来三个耗子的情节，如果还有第三部的话）
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