剧情介绍

  After some misunderstanding, Sakaguchi is hired to make a tourist guide video on Tobako (a fictitious name for Kawaguchi) in the outskirts of Tokyo. This element in the script sparks off a fanciful wandering strewn with unexpected meetings. First with Kitagawa, thanks to whom Sakaguchi landed the job. Then with a seamstress, and then with Yoshino, with whom a half-hearted romance emerges. Thus the narrative unfolds, in halts and swerves, espousing unexpected meetings, and offering the strolling character an opportunity for displacements from one place to the next. The deserted town has come to a standstill – the shooting took place during the lockdown – and this acts as a metaphor for the idleness of the characters. Garden Sandbox is light and nimble, whereas its main character hasa limp. Her demeanour and her stiff body exude a peculiar quality, somewhat comically at odds with the setting. Apathetically playing along, the young woman gleans from each character some pieces of information about the town and, then, touch by touch she delineates its picture: ultimately, the place comes acrossas a post-industrial locale whose foundries are now obsolete. Sakaguchi’s very meanderings lead her to a rich family’s house for a sewing lesson. In this pivotal scene, the lady of the house invites her to don an upper-class wedding dress. Through a gesture both radical and powerful, which itself informs the dynamic of the film as a whole, a gleeful snip of the scissors transforms the item of clothing into the ultimate chic of haute-couture design. What weaves together this truant escape whose motifs and fabric seem inspired by Jacques Rozier’s films, a crumbling industrial heritage and the transforming of a traditional wedding dress? With Garden Sandbox, whose title is a reference to the type of sand used in the foundries, joyfully and playfully, Yukinori Kurokawa interrogates the concepts of mutation and (re)use as sources of boundless possibilities. (Claire Lasolle)
 

评论:

  • 轩运 6小时前 :

    竟然还行,屎尿屁版的摄影机不要停,最后还有一点温馨😂

  • 雨昭 9小时前 :

    可能试图想做一个讽刺喜剧,结果不伦不类。阵容还不错,三星给一闪而过的一美。

  • 蒿曼文 1小时前 :

    这一出荒诞的大戏,演员是你是我也是他她它,深深地共情了!第一次和好莱坞演员们共情了!

  • 聊梦槐 0小时前 :

    套路太老了,没意思,但小成本这样也可以了。还有就是杀人一定得补刀

  • 昭怡 2小时前 :

    混乱的剧情:最开始以为是鬼屋题材,中段女主被囚禁储物间反复出现十字架以为是宗教片,到了最后女主看了奶奶笔记怀念亲情反杀、传承奶奶的苹果黄油手艺,才发现是家庭片。不过结尾奶奶的笔记明显是错的,苹果坏一处实际整个苹果都有影响,最好不吃,而不是切掉坏的继续吃。

  • 闪平灵 0小时前 :

    对film industry全方位无情嘲讽,但是人物过多,节奏凌乱,也许拍成系列剧会更合适。

  • 淑楠 2小时前 :

    The Daily Wire 好活 看完正片一定要去看这个 https://youtu.be/jeEZqAeZSAU

  • 迟觅山 9小时前 :

    另外,苹果烂了一点不是应该整个扔掉吗?

  • 褚自怡 7小时前 :

    正在全城隔离中看到此片,只想找有没有6星的按钮~

  • 磨宏深 2小时前 :

    真的很好笑为什么分这么低!前面慢一点但是后面整个爆笑,可能隔离过的人才能体会!凯伦吉兰果然手脚不怎么协调哈哈哈

  • 颛孙依楠 5小时前 :

    什么年代了,还有从里面打不开的门,房子是老,但好歹换把双向的锁呀,每次开门用块砖头挡门也不嫌麻烦。阿美利卡也真是能将就。

  • 月帆 3小时前 :

    20220602 周四 19:52 只能说我是为了vincent而看的他,他现在是不是已经不混电影圈啦,多久没看见他有作品了,都已经60岁了呢,在戏里演人渣而且他奇奇怪怪的出场又莫名其妙的死去,哎呀!女主有点像Alexa chung,不过演技好差!我想说苹果坏了一般即使保留了一半好的部分其实它也是烂的了。

  • 欣柔 5小时前 :

    不过赵喜娜和X教授出现的时候着实惊喜了一下哈哈

  • 诗驰鸿 7小时前 :

    客串大牌都很惊喜,Karen Gillan的冷面幽默气质确实好。

  • 雅采 7小时前 :

    讽刺的是,拯救你的不是圣经,而是藏在圣经里的钱

  • 驰浩 6小时前 :

    这回骨头终于尽力了,有几个运镜够给劲。制作上不论剧本还是设定都在学好莱坞……虽然这个ip诞生初衷就有点舔美的意思但猝不及防看到末尾的US smash仍旧狠狠爆笑了,意思就是只要你自己不尴尬别人确实也不能拿你怎么样。流水线作业虽平庸但有用,比前两部好点。

  • 霜皎月 1小时前 :

    疫情期间剧组花式团建,有些地方还挺有意思的,不过还是太像tik tok段子合集,很难说有什么值得系统成片的地方。“如果电影院有一天开门,每个人都会为你精妙的台词所打动!”隔离、口罩和不接触的拥抱,有时候真的忘了,疫情给生活带来了多深的烙印,也该学着像这样,去苦中作乐了。

  • 柔盛 0小时前 :

    有的人在外被禁锢了一个多月,迫切的想回家;

  • 盛幼怡 6小时前 :

    适合隔离焦虑,意外惊喜竟然看到agent mulder年轻时的神颜,确实帅的让人想揍他🫢

  • 骑向薇 6小时前 :

    刚刚从电影院出来。

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