"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
可以看出来大家也知道自己在拍烂片 实在是没办法不快进
比不要抬头还捞…什么jb…
一开始觉得是挺无聊的讽刺小段子堆砌的，结合最近的时事看好像又有点真实。
经费超足
I lived through the pandemic and all I get is this stupid movie.
不如上一个剧场版，最后狂打比较燃，但整体上和上一部差很远
一部讲疫情期间烂片剧组发生的故事的电影。挺疯狂、搞笑和讽刺的。
以后还是要少看这种没什么剧情，两三个人就在两三个场景里的电影儿
每一秒都想笑，但是你每一秒都笑不出来，究极便秘，但是究极好看。
说起来到现在为止都只见过日本的heroes和villians呢。
总结一下就是封太久人是真的会发疯，但因为太荒诞了就跟“不要抬头”一样有点笑不出来，还有也塞了太多tiktok了吧。
Apatow全家总动员，凑齐一伙疫情期间前途未卜的电影明星拍了一个讲述疫情期间隔离泡泡拍大电影的荒诞故事，吐槽自身无限反刍循环发酵。成片就和想要讽刺的现实一样糟糕，最讽刺的是它空洞堆叠杂乱无章的冗长篇幅恰好是利用了控诉行业病态这件事本身，来助长行业的恶性倾向并从摆烂中实现双赢的牟利。质量参差不齐的段子和琐碎片段的情节合成之后有如新冠初期zoom连线手机拍摄的一系列大明星cos片。除了预算变多在形式的随心所欲和集卡星光的看点上面如出一辙。作为自嘲喜剧，不搞笑且不娱乐，自娱自乐的宣传口号在烦闷的当下几乎令人倍加窒息，看到尾声终于明白了这就是Judd Apatow的养家之作，给女儿大平台曝光度，顺带联手网飞供养一群名人，不亦乐乎。Ten Percent有Harry Trevaldwyn，期待了。
客串大牌都很惊喜，Karen Gillan的冷面幽默气质确实好。
又一部讓人失望的Netflix作品，不夠有趣劇情也太鬆散拖沓。最大的價值就是可以算一個疫情的紀念吧！
真的…太长了 看得好累啊（虽然不可否认的 还蛮有梗）
不是很好笑但是我好懂他们在拍什么。😢
或许这就是流媒体的优势。
所以 又觉醒了 别一种 个性吗 ？！
如果傻乎乎的我需要在一个傻乎乎的下午看一部傻乎乎的电影，那么我成功了
看来即兴表演可以重新定义成一群神经病的自嗨了
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