Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
一方面是家国大爱。一方面是可以将后背交付的爱情。虽死犹生。
现代谍战片的师祖，无数桥段被反复致敬模仿，但从未被超越。
小时候看并不知道是真实人物事件改编，知道了如今再看感触不一样了。当时影坛的两大帅哥同框，也只有孙道临能让王心刚去演反派了hiahia
喜欢看老电影，主要是想透过镜头看以前中国的景，不过这里一大部分都是搭的场景吧。
潜伏的基础版，致敬为新中国解放所有贡献生命的烈士
“同志们，永别了，我想念你们。” 老上海的故事。
斗智斗勇的情节少了一点，但是人物形象塑造很成功。
海报还以为是黎明，还在想，这片儿挺老的啊……
想吃冰下雹子，终于在22年的七一，在小西天看了这部4k修复的优秀电影！影片巧妙地在片头由黑白渐渐引入彩色，又在片尾淡出，真是无限留恋，我感觉这部电影经过科技的修复，更像是一瓶老酒，陈酿多年，如今擦拭瓶身，再次放出光芒，且酒香扑鼻。
最后一分钟“营救”电台版，除了节奏现在感受太慢，情感烘托还是很浓的。
修复版能不能多排片啊，想看(⊙o⊙) 孙道临老师是真帅啊( ⊙ o ⊙ )啊！
一星给片名。想起了《风声》里顾晓梦的遗言：“敌人不会明白，老鬼、老枪不是个人，而是一种信仰，一种精神。”
在农历生日这天，观看了新历生日那天重映的经典电影，也是一点小小的仪式感。
在战场上抛头颅洒热血，是勇敢的英雄。
我让你xi洗脑
但是，好像身边的人不完全是这样认为
首部黑白转彩色4k修复的故事片，大银幕观看加分不少，虽然电影手法跟表演方式会过时，但是革命先烈的故事与精神是不朽的，孙道临演绎了什么是正气长存，大义凛然，最后一封电报发出了，李侠的精神却永存于电波中。“同志们，永别了，我想你们”7.3
许多技巧尚不成熟，但那种干净利落恐怕是很难再见到了。
在战场上抛头颅洒热血，是勇敢的英雄。
1、没有刻意描述二人的爱情
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