The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
大革命时期的傲慢与偏见。
勉勉强强，还是有点失望，或许是我期待太高了
特利迦是南通这件事，是真的（确信）
-- Honore de Balzac
除了有些地方为了简化处理太唯心以外没啥大毛病（结尾大战反而不算太唯心），反派要是不疯他的理论我还挺认同的。
这剧情新生代正常水平，但比其他的剧场版要好，致敬迪迦的部分也不会太刻意。
与TV真是瞎眼可见的差距
这次剧场版拍的要比TV那会儿有意思多了，剧情流畅，，节奏清晰，适合推荐
剧场版爆杀TV，根元岁三爆杀久弥直树
每个人都可以变成光，但孤身一人终究无法闪耀…
反派塑造一般
不看TV也没啥影响的剧场版，剧情还是不咋样，看皮套战斗就好了
原来现在人类的基地都跟变形金刚似的，奥特曼都像弗利萨，多重变身
‘每个人都可以变成光，但孤身一人注定无法闪耀。"在个人英雄主义充斥超英片的时代，这种积极正能量的价值宣传值得肯定。本片在致敬的同时又对致敬对象的主题进行升华。
“你想要为大家带来笑容，那么我就为你带来笑容！”
比久弥直树写的剧本好多了，这才是新世代迪迦的正常水准
从与本篇的摆烂竞赛中跳出来看，仍然看不到什么闪光点。嫌寿命太长的可以看看。
爆杀TV的超强剧场版，这才是新生代迪迦该有的样子!
🎬《特利迦奥特曼.泽塔篇》🌟
哎…怎么讲呢。
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