这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
爱情童话吧，更像是歌星版诺丁山。只能当是洛佩兹的MTV看看
22-05-26 19:35 @雙子塔萬達
the IN BETWEEN 真的会有这样一个让人弥补遗憾的界限空间存在吗
【22/028】22年了我仍会为浪漫轻喜痴狂。我以为的褒义上的2022现代版的诺丁山。JLO的音乐绝对的加成很大，赏心悦目的组合，唯一的点是五十多演35的设定，够胆，也有人看。
剧情简单温馨，歌曲朗朗上口，很适合星期二的晚上
歌其实挺好听的。男主的颜值，吃不来。剧情，有点大众。没有之前片段的感觉，后边都是快进二倍速看的。
非常俗套的剧情，情节漏洞百出，但是看完心情大好。就像童话故事一样，你虽然知道这不是真的，但也不妨碍你期待它成真。
幸福来之不易，好在他们没有放弃。emm剧情就很水啦，有失心意
似乎看完了 又完全想不起看了什么 低配人鬼情未了吧
我想知道都谁投资的？JLo这个卡位真不至于吧？还在接这种戏？剧情莫名其妙且无比俗套，那合唱简直让我看到了凤凰传奇，要不是好久没去电影院了，死也不能看这个。
美式音乐喜剧，让我坚持看完的理由是编剧会从那个角度切开把男主塞进去。虽然我第一反应就是偷情，但没想到的是很久之前的虽然也算数，但少了些碰撞与动荡。
二十多块包场大荧幕看不少于三场拉丁天后的演唱会，还要啥自行车。
两人情歌唱得再动人，又有什么卵用？会出轨的依然会出轨！
人鬼情未了的题材绝对的赢得我的眼泪 the kissing booth的女主 眼睛的颜色太特别了 最好的地方大概是对女主缺爱以及不敢表达的铺垫 占据了很大一部分 旧Hotel的那段连接应该是梦境吧 毕竟只能在最in love的时候建立connection 车祸发生的过于牵强 湖上海报拍的很唯美 (我看到了我们的影子) 一会儿见
生活还是时不时需要来一部这样的电影的，简单，美好，快乐。
确实俗套，确实跟不上时代，像在看02年的东西，而不是22年。胜在Jen Lo绝美，啊，绝美。
奥林巴斯红吉普，浪漫老调听不烦。
気軽に観られる一本。かなりくさいけど、嫌いじゃないかも。音樂用得有點多餘。以及果然大家都想到一塊兒去，年齡往下設置、年代推移到更近的Ghostなんだよな笑 談戀愛的部分還是挺可愛的。
banal but gold. 先婚后爱之流行天后恋上我. 选角和原声真的赢面太大.
最后一堆废话，神烦。
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