The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
我真觉得，全球化反人类行动，已经让最好的编剧都无法复述的更没人性一些了。
看的时候有团结紧张严肃活泼非黑即白的好笑感，看完后啥都不记得了，这片真心各种内涵。要是拍成中国版，估计Netflix总部得被RPG掉。我说的是牛逼的元宇宙公司帮忙把他们RPG角色扮演化
比前作和隔壁don't look up差远了
“No wonder America decided not to have a president for a while, they just got this little old caretaker man in to keep things going until they could work out what to do next.”
电影本身没太多看头，跟去年相比无论卡司还是投入都小了很多。不过是在茶余饭后帮助回想下去年国际上都发生了什么大事。看到美国撤军阿富汗才忽然又想起还有这么一件大事啊。人就这样，越活越麻木。
这个系列要拍下去啊！人们如何才能同时拥有戴口罩的自由和不戴口罩的自由，是这个系列的内核了
这个值得看看了。
Netflix这么富明年能不能让多个地区国家拍一遍？平行叙事，浮生一年。
时代本身的荒诞让所有吐槽都显得无力，悲痛与愤怒都仅余一丝冷笑。
Not so funny. Quick recap.
有被笑到哈哈哈，如果每年拍一个也挺好玩的哈哈哈
新冠不休，续作不止...（突然觉得每年回顾一遍挺好的👌🏻已开启年订阅
the british lady and the american lady are still the best at their roles. do we even want to remember what has happened this year? cause its a total shit show with no promising ending
这是个测试题：你觉得哪一方的人说的超可笑？哪一方的人说的似乎有点道理？恭喜你，可以通过这个判断自己属于哪一方（手动狗头）
what a year. 被吐槽的有一些，没被吐槽的更多。
你以为你在看Netflix，其实你在看暴走大事件
2021年证明，我们并没有从2020年吸取教训。
没有2020好看（影片和现实），未来不会更好、不会更差，就是那样
不如2020好看，看完电影还特意去看了google 2021 in review，同样的感觉。
同样一个套路，放在大洋彼岸拍就是情欲试探或是探索性觉醒再到“真我”挖掘，身体动了，心智也要觉醒；放到更“内”的影视制作语境里，自然也就顺其自然地发展成了“欧尼与小狗的快乐结局”这般糖水（因为再“过火”的演绎已经有那些小电影了，自然不需要那么做），对照起来看有意思。物料里的噱头最终被转嫁为李濬荣成功转型、用心良苦的几刻特写；徐贤“正直忙内”的团设在脑海里挥之不去，始终委婉把人推开。如同这最后不尴不尬的呈现，也看得一样在被束缚。
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