James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?
我以为累是没感受过家庭的温暖才要扮家家酒，啊？结果？
这么精良的制作和资源给了这样一个毫无特色的番，凑一凑再发剧场版回血，是不是现在的好故事太少了。
看完游郭篇和漫画实在太寂寞于是又看了一遍总集篇的我…
作为青春片很好看，但是奥斯卡最佳影片就匪夷所思…
アニメ第15話～第21話で構成された特別編集版。
动画版剧情更生动，这段剧情也被演绎得很精彩。
精英没有捷径可言，捷径就是不走捷径。
“哎呀 失礼了 已经死了就听不见了吧 是我粗心了~”
炭治郎是令男性心生向往、令女性心生敬慕怜爱的人；每个单元的反派也都有令人同情及鄙夷之处，塑造得有血有肉。
好看！！后半期超级好看！！结尾也很棒！
太难看 难道我终于过了看蜡笔小新的年纪？？
要素齐全，笑梗不断。
太暖了，鬼也不是好当的，炭治郎杀鬼，杀过的都说好！！
都说是贝利叶一家的美国版，恰巧也看过，怎么说呢，美式和法式还是有较大区别，相比之下更喜欢本片，渔夫这个设定非常讨巧，对于女主的成功更有挑战性，而且本片的手语自带喜感，此类音乐养成系的电影层出不穷，在如此陈旧的故事框架下还能出新意，实属不易！
近几个月看过最舒服的片子了！画面舒服，表演舒服，情节舒服。（当然这是翻拍）犹如清新的海风，校园中的绿草和阳光下骑行的自行车……成长的痛苦，家庭的矛盾，爱情的酸甜苦辣，都拿捏得刚刚好。没有去突出残障家庭的苦难，反而有种自得其乐的洒脱，在这年头太难得，也难怪拿到奥斯卡最佳影片。艺术性说不上多高，但水准绝对不差。父亲把手放在女儿喉咙处感知音乐，两人望着星空，这段太美好感人！影片里的歌也还不错，OST值得一听。
确实是可以媲美2000s剧场版的佳作。但后期侦探解密还是差点意思
要素过多的本格推理，最后关于青春那段排比句还挺感动的
第十九集燃爆，全集的爆发点凝聚在了这集。兄妹的羁绊，虚构的亲情在这一集里得到了很好的诠释，我愿称之为全季最佳。
这不是把最后几集拼了一下出来的吗…再看一遍没啥区别 还可以吧
好看！！后半期超级好看！！结尾也很棒！
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