Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!).
The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats: they get to see the film and can also enjoy the unfinished comic in an exhibition.
怪兽的特点不够明显，同类型的公牛历险记比这强多了
二战奥斯维辛集中营幸存拳手的PTSD，汉斯·季默的配乐也算诚意满满，美中不足的是导演可能对拳击这项运动有什么误解吧
拳击手一直在幸存，也一直在死去。题材真的是我的菜，但导演处理的不够好，可惜了。
我们不需要去追随别人的脚步，做最好的自己。
好可爱的憨憨本憨！舞步很骚，小短腿大屁屁很萌，怪兽的设计也不无聊。故事很一般，但不妨碍看得欢乐！
很可爱，也很治愈。
my daughter is dating a doctor 然后那个smirk我笑死了
怪兽的特点不够明显，同类型的公牛历险记比这强多了
怎么说呢，
剧情挺老套的, 传奇的下一代继续成为传奇. 感觉是轻轻松松靠基因取胜而不是hard work.
……我为什么要看这么一部电影？情节低幼老套，逻辑混乱，主角也没啥成长性。画面精细程度甚至不像好莱坞作品。我真的觉得还不如国产的熊出没系列。
流水线产品，无营养，造型也不走心甚至还有些丑
除了怪兽形象其他都一般，美式模版电影.小孩可以一看
制作还是很精良的，就是故事和以前都是一个套路，英雄人物的孩子，最后克服重重困难成为冠军，和汽车总动员差不多，给孩子看看还是蛮不错的。
会不会和之前看过的《冠军》是同一原主？应激创伤必定长时间存在，最后的心结还需要系者来解…
跟哥斯拉2一个尿性，奔着怪兽来的，你整个狗子上来，多打几只怪不香吗
就过于无聊，大概正儿八经的真人电影也很少用这类故事写剧本了，而且不仅怪兽形象不算讨喜之外，其他人都像去模拟人生直接扣出来的，直白点可能就是难看吧。
小怪兽很可爱，但是一直爹来爹去的让人很难共鸣
各种随便装输已成习惯，随便嘴炮几句就改了，这
看完之后的感想:吞食王（?狗勾怪可爱的
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