This is an unusual film of exceptional values--75 minutes long in color, with hardly any spoken dialogs. I saw this Iranian film in Farsi without English subtitles at the Early Iranian cinema retrospective on-going International Film Festival of Kerala, India. That I was watching a print without subtitles did not make a difference as there were very few lines of spoken dialogs.
This is a very accessible film for any audience to enjoy--its story and values are not merely Iranian, it's universal.
The film is set in rural Iran that had not tasted petro-dollar prosperity. The setting is on fringes of desert land, where water is scarce, rainfall scanty and hardly any blade of grass is green. Add to it wind and dust that buffets and whips man and animal and you can imagine plight of the people who live on the fringes of society.
The film is moving tale of a young teenager returning to his village with a goat--only to find his family and villagers have moved on to escape natures vagaries and that one old man remains. He gives the goat to him and goes in search of his family. Water is scarce and well water it treated with reverence and never wasted.
还我两小时！伊桑先生最近这剧本和角色的挑选能力啊😵🌚
救命 这部片的画风太对我胃口了 兄妹隔空互救 孩子们勇敢的力量对抗邪恶 最后的反杀有点子爽！
一部像恐怖密室逃脱游戏的电影，每一个“无声”的灵魂提供一个线索，而每一个线索在最后都恰好运用上，这种感觉如果是游戏我会觉得很舒服，但是放在电影里就有点刻意，太过“完美”了。
和恐怖不沾边，算悬疑惊悚，兄妹情谊刻画得挺舒服。傻逼反派无动机无智商无战力，整个一个三无产品，绑到第六个人才没反杀实在有点不科学。
4.接第二个人的电话一转身吓死我了!!!!!
掳童犯到底为嘛绑小孩杀小孩，结尾也不说一下。剧情有些闪断，前面妹妹刚拿石头跟校霸打了一架还被踢了一脸血，后一镜头啥事没有。
被最后的反杀惊艳到了，所有的电话提示都用到了，巧妙的编剧！
7/10 就有点stranger things x IT的感觉。可圈可点。
7.5可以有
普普通通。设定有意思但没有任何逻辑没有任何解释，反派无行为动机，电话无解释，通灵无深挖，两个最主要的设定无法产生联系点，让电话和通灵显得为有而有，未免太随便了点。内核很简单，罗宾最后和finn的对话和教他反击也小感动了一下。“总有一天你得为自己站出来”
设定有点潦草，角色的动机也有点不明不白，不过电影本身拍得挺好。
挺喜欢妹妹的
前面还可以，我还以为发现了宝藏电影，到了后面无语，一句话，不是我想象的那么好！
也很史蒂芬金，有很多金老师常用的元素。但是总体比较无聊吧。
有马沙特那感觉，其实走的也是爽片风格，小孩结尾暴揍反派。
演父亲这位演技捉急啊 简直被俩小孩吊着打、、伊桑霍克全程没有漏过脸= =
【6.5】一众角色中妹妹的表演比较灵，伊桑霍克演这角色也不知道图啥，其实也没太大发挥，毕竟大部分时候都带着面具。
3.5 已經快被拍爛了的變態密室綁架還算拍出了點新意。雖然不算恐怖，但在恐怖片裡質量也還算上乘。
啊，好喜欢这样的戏，五个死掉的男孩帮助一个男孩成长，而且妹妹真的很牛。
主线过硬，支线弱了，密室逃生类的新超自然分支？突破密室也是突破自我这点蛮好的。
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