The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
味挺正的 虽然结局和剧情我都想吐槽 但是2021年能看到这样的西部片也挺感动的。
Old Henry has a gun, 砰、砰、砰砰砰! 完~
镜头的设计很见功夫,可惜人物不够丰满,戏尾收得太快了。
儿子很有天赋,只不过传奇老爹不想让他走自己的老路。
you go see it
nobody 是 somebody 的西部版本
从《比利小子》到《雌雄大盗》,各类西部片看了超100部,印象最深的依然是韦恩的红河路艰,依然是荡气回肠的快意恩仇,大漠生死,各向一边,世事苍凉。
拓荒精神下的孤胆英雄,有些科恩兄弟《大地惊雷》的影子。事了拂衣去,深藏功与名。想起戈达尔说的那句:一部电影只需要一步枪和女孩就够了。我也超想拍酷女孩枪手的故事。
竟然是比利小子,英雄迟暮永远是个值得表达的题材
中规中矩。儿子长得也太不像老子了。男主很适合演老比利小子。
這種江湖傳說給我來100部!!過癮!!!
小家子气的,或者你可以称为内敛的,一部对八十年代西部片的印刻。
一百多年前的枪法真是神奇不🉑琢磨,也不用猜,反正主角不会死的太早。
一般,就最后干了一仗,发现是农夫与蛇的故事。一代代就这样教育,就这样苦哈哈,惨兮兮的,谁都得防着。说一堆有啥用?还不是又穷又没文化。
虽然慢热,但人物塑造都很一般啊,情节发展也比较简单
亨利的话把整部电影升华了一个层次
老亨利是比利小子,最后击退来者,发现受伤男人手上的标志,原来是同伙,反被枪杀,儿子杀了受伤男人
西部扫地僧 背负着过去的包袱,避世隐居,多年的包袱,虽然依然谨慎,却还是向往善良,还是一部有点感人的,演员也没找偶像型的,就是一个历尽风尘形象
血性早已苟活在鲜肉御姐的裤裆里。
他相信了曾经那个少年
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