Sydney and Darrel met while working through the trenches of chaos of low budget independent filmmaking. Like most forced to produce under pressure, they grew close and began to admire and respect one another. However, their romance never quite had the opportunity to blossom and once the production was over, they went their respective ways and moved on with their lives. After 2 years of post production, when the film is celebrating its premiere, the two of them meet again. With spirits flying high and the cast and crew present to critique and admire the work they have done, Sydney and Darrel after a night of drinks hook up. In the last two years they've had their professional triumphs and failures, they've had their flings and various romances, but they've always kept each other in the back of their minds as that one that got away, the magical other. But...things are different now.
不管再怎么喜欢牡丹饼
日本很喜欢他们的妖怪啊，也很想拥有一间可以把自己照顾到好好的屋子
剧情略奇幻（这不就是我的dream house）整体节奏有点慢，想表达的大概是家庭的温暖与束缚。但是画风很好哦，喜欢
还买什么大平层，合租就好年年住新房喽，倒是“牡丹饼再好也吃不下三个”才是真的…
中间那段“艺术”我没欣赏不来，剩下的还不错。很温馨，
非常漫画的内容，忍不住想快进，所有人都很抓马，剧情更抓马
是因为时常原因吗？还是除魔并非主旋律？结尾过于草率了
遇见可爱的人，忧伤都会被治愈。有幸生在温暖的家，长大与梦想都不再是别无选择，你会懂得尽自己所能，在爱别人的过程中被爱反馈与成长。
演员演技很好，关注到了当下社会的热点，但是情节转换好生硬，强行happy ending，节奏也有点奇怪，剧本有很多问题，在老太太那里浪费太多时间了。但是，天海祐希好好看，好可爱。
愿不顺的人都能走出阴霾，因为有清清森林和五彩晚霞等你抬头呢。
人物和背景的画风有点割裂，剧情前面太慢了后面太快了，感觉新海诚开拍应该会更抓人
人生嘛不能贪多
很温温柔柔的
插画画风，人物较为扁平，情绪不够饱满停留在表面，河童和地藏菩萨的设定蛮有意思的，最后一段打妖怪仿佛在过家家。
不知道别人怎么想，刚刚经历过地震的我，有些地方居然看哭了。我自己当然谈不上什么灾后伤痛，但也逐渐明白了3.11发生了什么。运气之神没有顾及到伊达政宗的后人们。
节奏不行的！音乐也没氛围感！灾后心理的话题…也没表达出来。
天海表演没有任何问题，电影本身比较单薄而已
很好看！梦中情房，谁会不爱屋顶都有开花悬崖上的现代大独栋~姐姐妹妹婆婆都很可爱~冷知识：河童最爱黄瓜料理
就画面好看，剧情无聊
画风也很清新
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