Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
没看过剧版，一集都没看过，但是这部电影还挺好看的。
这次应该就叫冥婚鸟吧 这结局把我整崩溃了 我觉得小林病院挺好的 我真的很俗 我就喜欢看合家欢大结局 我不想看这种be
十年了等来个刀子……三星都是给情怀的……毕竟时长在那里不草率是不可能的了 气死我了
烂得离谱～什么垃圾剧情，前后衔接起来都够呛。还是不理解人物行为的逻辑到底是什么。小丑聚会，笑死个人。我说，eiji多年潜心研究炼金术还差不多，搞个合成兽恸哭之夜我都会觉得合理。结果搁这儿一换一呢，还是借了泉哥身体啊真逗。
早就知道了结局，全程本来已经无感了，但是片尾放了原版op还是被打动了。2010-2022，9岁到20岁，全部的青春啊
结束啦，虽然情节发展意料之中吧...但映司是真的不在了...
两年前以为结局在时王，结果时王烂了
怎么说你好呢？期待了一年，本来很激动的，想着安库回来了，映安终于合体了。可编剧太“可爱”了。。。我映司被写死了。。。这样还不如不完结。让我自己有遐想空间。。。你这整得我更难受了(;_;)。给个3星（看在映安回归的面子上）
我为什么要在大晚上看这玩意然后失眠......
被剧透之后平静了几个月才敢看。只能说十周年售后把全员找回来整个BE我真的不理解。
如果东映拍外传是为了卖新玩具，我可以理解。那为什么东映会得外传就要写死人的病呢？
不要离去 从我的心中。
火野映司为什么死啊！那我的anku多孤单啊！我希望東大妈再让秀凉再合作一部假面骑士ooo
但是我太喜欢ooo了 就算你十年磨的是一把刀...
我爱你 深爱着你。
首先情怀让我给高分。
十年前没了妈十年后死了爹 把主角写死 ooo真的没有家
只能说那样吧，就连演员对这个结局都受到了很大的打击，唉
感觉剧情还不错，但是拍的很赶，很多背景没交代清楚甚至一笔带过，好在还算流畅，原班人马回归而且十年了居然都没怎么变，这实在是很惊喜，和TV版相互对应，中间的哭戏很感人，永恒结婚鸟皮套很帅，TV最后映司的意难平变成了剧场版Ankh的意难平，而Ankh的意难平又变成了我的意难平，对于从10年开始一集一集追的粉丝真的太刀了，东映明明可以拍的更好，但还是有不少遗憾，整体瑕不掩瑜吧，四星，多一星是很感恩ooo还能在10年之后拥有这样一部电影。
冲动型五分。不管怎么说也算是官方给出的一个对于TV结尾的交代了吧，虽然这个交代是天底下令我最痛苦的的一种，而且过程确实没讲清楚，但我现在宣布三个蛋是我这辈子的意难平。
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