The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years. At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with. But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood. I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential. by D.R.
哈哈哈哈哈 故事真的稀碎hhh 只有个别片段能看，整体真是哈哈哈哈跟同为Hp脑残粉的朋友吐槽吐的挺开心的，不是粉丝别看了，罗琳阿姨啊下次写政治没有老马丁帮忙就别写了hhhh，拔叔颜值太🉑️了 我三观已经跟着五官走了 邓布利多这个渣男 最后感觉格林德沃真是小可怜哈哈哈哈 全片笑死我了哈哈哈哈哈哈哈哈哈 很欢乐
剧本：他妈的什么鬼什么鬼什么鬼什么鬼什么鬼。
6.0/10 分。初看，蓝光。第三部。前面两部我都忘记啥剧情了。特效还可以，就是那个剧情太扯了，让一只动物来选择，无语，幼稚。没认出裘德·洛来。麦叔演技还是杠杠的，就是又一次演反派。还不如麦叔2020年的《正义骑士》好玩。老麦，《汉尼拨》的第四季还能有吗？。。。
用麒麟选会长的方式实在是太草率了，格林德沃也实在是一个天真的人，手下尽是些卧底，以为掌握了唯一的麒麟，结果还有个双胞胎，以为截获了所有箱子，结果漏掉了邦蒂，以为定情锁能限制邓布利多，结果锁断了，两人的情也就此告终。
第一部还有将蛇鸟抓进茶壶里这样的精彩镜头，第二部结尾的音画效果整体提了一口气，到第三部还剩下什么…
离婚后我爸忽悠我堂弟搞起了传销，为了捞人我妈喊上一家老小去砸场。
140分钟的便秘体验，非常痛苦，魔法大场面一个都没有
作为系列电影拍成这样应该是很糟糕了，令人迷惑的剧情，东拼西凑所谓各种彩蛋营销，真没啥用。
互相摸胸这个画面，真的不是基情人物在哪里吗，真的相爱相杀啊。但好像观众就爱看这个，看完发现大家印象最深刻，然后口口相传，哈哈。
麻瓜社会有吃瓜群众，魔法世界有吃瓜魔法师，谁也别瞧不上谁。不过从大佬到喽啰，魔法师衣品优雅有目共睹。
看到麒麟下跪选人 这是十二国记吗(꒪Д꒪)ノ骨科好嗑嘻嘻
就是说，邓布利多和格林德沃对决的时候，只想点一首千fa的《少女的祈祷》送给他们（doge脸）：祈求天地放过一双恋人，怕发生的永远别发生…
各路角色都是纸片般单薄，这系列能在故事信息量越来越少的基础上做得越来越闷也是奇葩
这麒麟没有角！一点也不帅气 | 故事有点稀烂，心地纯洁善良就可以上位？麒麟不止一只，大家都搞养殖，这只选你，那只选我怎么办？ 另外这血誓是怎么回事？只有邓布利多手上有？不是互杀对方就可以破？？凭啥一个攻一个守就可以破？？！！ 就是掀桌子不打算编下去了！！！！
虽然剧情确实老娘舅了，但是开往霍格沃兹的火车穿过山原，我还是狠狠地沉浸了，并祈祷这个系列可以继续下去。毕竟成人的世界那么难，谁不想有个奇妙的魔法世界聊以安慰呢。
裘花状态比麦子差好多。
没有了罗琳的深度参与故事果然一落千丈，没有了紧密智慧的谋略编排，故事不仅没有对之前铺垫的内容进行有效解释，反而自己这一部就充满了无数槽点。大场面几乎没有，小打小闹得勉强撑起了时长。这个系列拍到这个份上差不多到头了，没有往下讲的必要和空间了，关键还是华纳自己过于着急，哈利波特系列的成功很大程度在于由小及大的缓慢铺垫，这一系列第二部就开始匆忙的准备决战，第三部决战就这么儿戏并且粗糙的结束了，没有缓慢有序的编排铺垫不可能拥有史诗的质感。但私人情感还是对魔法世界带有滤镜的，作为一个没有赶上任何一部哈利波特院线上映的影迷，怀揣着对魔法世界告别的心情走进影院就充满了情怀，尽管是这样的一地鸡毛。
看完了不禁想问这个主角不知道是谁的系列到底还会不会有续集？如果我没记错的话在魔法石里说过魔法世界最纯洁的生物应该是独角兽吧？
除去情怀 这部剧剧与其说是神奇动物在哪里不如说是哈利波特前传 大多的剧情都依附在已有剧情基础上 好像拍了很多场景很多剧情但又好像一团乱麻风一吹就没了
彻头彻尾的灾难。故作深沉，但其实毫无剧作张力。
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