Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately; Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction; but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another.
The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average; but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!
这是什么牛马超英。。。你换成b级恐怖片倒还可以
莱托少爷实惨，文艺片接一部爆一部，超英接一部扑一部。
预着烂的就不要这么婆妈了，都不会好好学下自家的毒液。
标准的好莱坞流水线大片，全程甚至大战都很平淡。
吸血侠。似乎漫威自复联4后推出的几个人物越来越水，感觉都是拿着同一个剧本，换身行头加些特效就来圈钱了。两星半
如果结局是男主给自己扎一针解药，那剧情就能升华了。
活脱脱一部低配吸血鬼版的《毒液2》，不知道的以为是毒液+蝙蝠侠的组合。毫无人物塑造，亦无感情铺垫，B 级片的内容却无 B 级片该有的血腥打斗。漫威别拍了，流水线质量越来越不行
《毒液》大賣之後的偷懶之作，一樣正反派同源，一樣沒種拍R級，一樣惡意賣腐，區別只是前者爛而賣座，《莫比亞斯》爛而不賣座。故事幼稚出了喜劇效果，該著筆的部分都沒著筆，該解釋的部分不解釋，擺爛得那麼理直氣壯也是一種本事，理直氣壯地kidding me。最可氣的是，本該是看點的動作戲和驚悚戲，都稀碎，動作戲無聊透頂，甚至談不上有什麼動作設計，就是沒完沒了的殘影、重擊、慢鏡頭，驚悚戲少得可憐，而且還都是是最爛俗老套的橋段。
怎么说呢？主角团和配角团的互动都没啥大问题，但是逻辑方面真的存在着天坑一般的漏洞，莫比亚斯的反英雄角色过于唐突，感觉导演把莫比亚斯拍成了一个大善人了。
20年前的好莱坞编剧都不屑写这么老土的剧情。前期文戏铺垫略长，高潮决战又结束地非常仓促，就算是为了应付市场不得不拍的超长预告创作态度未免太敷衍，跟《毒液2》就大哥莫说二哥吧。
漫威英雄终于沦为了彩蛋宇宙，94年的《夜访吸血鬼》当可花式吊打《暗夜博士：莫比亚斯》，即便是同门师兄《刀锋战士》也比这厮精彩许多。
没有逻辑转化，Milo。这就变坏，非要打一架？
为了致敬茂瑙才让两个人频繁地以吸血鬼形态示人嘛。话说你不是要自杀嘛，咋又飞升而去了
6.0/10 分。初看，蓝光。传说中的高概念片子。就是剧情很少，全靠人物串联，最适合这样的漫威科幻魔幻片。。。整体真的很一般，也就是打斗还凑合。最后有两个无聊的彩蛋。。。不如奇异博士好玩有趣呀。只能说是一部铺垫剧情的作品，还铺垫得超级敷衍。
不过不失的MCU拼图作，引出新人物为大事件作准备（或者一轮游压根没有大事件）。阵容太讨喜了，leto吸血鬼面具时长占比太久了，可惜。
暗夜鸟人（Vampire Birdman）啊哈哈哈哈哈 索尼一定知道我们现在很缺乐子才整烂活 是真的捂脸狂笑90分钟
唯一的亮点恐怕只有那句 I'm the venom 了
5.5分。仿佛回到漫威20年前的杂牌英雄电影水平。
2.5。技能特效做的挺酷炫的，环境人物的反应失真。但凡什么警察啊雇佣兵的反应像个真实的人，故事就可以三颗星了。
诺贝尔奖得主化身人造吸血鬼打击罪恶。夸张的能力、丑陋的脸、除了蜘蛛侠相关的彩蛋，基本毫无亮点。
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