重生六十年代小说

重生六十年代小说 高清

评分：
9.0 推荐

分类： 剧情片 1996

导演： Herbert Wilcox

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剧情介绍

　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.
　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).
　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.
　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.
　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.
　　Roger Philip Mellor

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评论:

  • 隽笑卉 8小时前 :

    期待了很久以为很有创意的片子 也就这样吧 数数确实是一个自带紧张和压迫感的point

  • 甲心香 3小时前 :

    气氛烘托得不错，设定有点问题，那个天才数学家出来露个脸就没镜头了，还以为是主攻手呢

  • 章奇文 3小时前 :

    非常无聊。很无聊。

  • 辛毅然 2小时前 :

    设定蛮讨喜的，但是bug也很明显，胜在完成度不错，3.5

  • 校娜娜 6小时前 :

    还凑活，能看下去，有少部分惊吓点，不过没太看懂具体在讲什么

  • 骏钊 9小时前 :

    ……

  • 柴高峰 7小时前 :

    看了一个半小时，伟大的数学家为了救儿子把家装潢成开启链接地狱之门，通往地狱之门的是留声机，之前没成功是每次都打断了留声机数数，最后一次成功播放完房子和地狱之门互通，这个恶魔是我见过最善良的教你数数，数到300万02，这片子太无聊了，我不会忘记今年看的第一部无聊恐怖片

  • 郯秀隽 7小时前 :

    还可以，结尾看着很带感，前期有点墨迹，很多细节处理不好，怪物造型不错。女主住进公寓，公寓两个男主用租客供养蝴蝶怪，蝴蝶怪可以让男主有自愈能力，女主不断收到已死租客鬼魂警告，让观众以为公寓闹鬼，有争议的地方蝴蝶怪只吃被自己幻像迷惑的人，女主摆脱了幻像，蝴蝶怪没吃她，女主干掉两个男主，把其中一个献祭给蝴蝶怪，竟然有了自愈能力，结束，6.8

  • 璩倩丽 7小时前 :

    节奏太缓慢了 有点碎片化 不够惊悚 但是气氛营造海星

  • 花晶滢 4小时前 :

    整体氛围不错，就是结尾太突兀，虎头蛇尾，最后也没讲明白咋回事

  • 茜露 4小时前 :

    音效挺一惊一乍的。这年头数学也变成恐怖元素了。。

  • 竹昭懿 5小时前 :

    恐怖设定真的用一个少一个 很惊喜这片子有很多新的设定让人耳目一新！但我觉得剧情还不够阴间 有些设定浪费了 比如恶魔手上的词语 “溶解 融合” 其实很好发挥 可惜到最后也没有看到更有震撼的画面 希望有续集再发挥一下

  • 祝青亦 2小时前 :

    恶魔用手当脚🦶🏻，

  • 陆思莲 9小时前 :

    铺垫一堆人设没屁点用，永恒阴暗夜晚冷色调，如果女主最后不是干脆利落补刀我会打一星。很烂的故事 没有看的必要 增强体质多运动就好 没必要给盒子送人头昂。怪物的形象设定还行 适合出现在各app的解说剪辑里。

  • 浩福 2小时前 :

    【2022-5-2】氛围感营造的还可以，宗教系恐怖略加分，怎么回事现在对恐怖片要求越来越低了只要没有离谱到搞笑的行为逻辑我好像都能包容…

  • 贰碧菡 4小时前 :

    不应该呀？？？都2022年了，恐怖片主角还是没长进啊！

  • 濯宏壮 3小时前 :

    我就说女主看着眼熟嘛，原来是当年的the girl next door啊，唉那还是2003年，一转眼20年就过去了。

  • 骏鹏 0小时前 :

    ——后来巴风特闪亮登场，我才意识到自己其实是期待了个寂寞~~

  • 雪旭 7小时前 :

    什么逻辑………看完也没搞懂女主怎么反杀boss…两颗星留给boss形象设计和结尾

  • 道昆颉 3小时前 :

    一个还算可以的概念，如果换个名导可以整得更高级一点

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