Marco (Mario Casas) is a young businessman who manages one of the most successful technological companies in the world, ALVA, which has just launched its latest prototype into the market - CYCLONE, an electric car propelled by turbines that turn wind into energy. His friend and classmate Diego works with him, along with the latter's wife, Bárbara, the efficient marketing manager of the company. Eva, a young, ambitious engineer who has a lot to hide, also joins the team, and she will disrupt the balance at work, both emotionally and professionally, between the two business partners. In spite of being a popular guy, Marco, unlike Diego, doesn't have an exciting social life. He is a solitary man, and no one has access to the intimacy of his soul, apart from his psychologist, SARA, on whom he is emotionally dependent. Marco is haunted by a huge number of ghosts from his past and, although he tries hard to scare them away, he only finds comfort in sport and in frequenting a private club. People go there just to get pleasure and give free reign to their wildest erotic fantasies, without fear of falling in love, as everyone has to wear a mask to hide their faces. But everything changes when Marco meets Carol, the new educational psychologist who looks after his brother José, an 18-year-old boy with problems of autism, with whom he has a difficult relationship. With her, he will also meet his worst enemy - himself. Thanks to her, he will discover that it is never too late to love, even if it brings some pain along with it.
缺乏一种动态的美感，名著改编，突破才是重点。
最后，好喜欢影片剖析的报纸 广告 政客 读者的一面，原来是有原著的
精致、深刻，巴尔扎克对媒体和人性的洞察与揭示至今仍未过时。
老狗的故事真是迷人，故事老套但还是挺好看的。
FR144 à UGC Les halles. 改编有点大。电影呈现感觉有些后劲不足。
并没有看过原著，还是鼓起勇气来把这部两个半小时的片子看完了。完全不闷，比想象的好看。讲的是一个年轻的外省诗人随贵妇情人进入巴黎、被丢下于是转行做小报记者、借助各路朋友敌人摸爬滚打逐渐声名鹊起、企图重新获得贵族头衔最终彻底幻灭的经历。复辟时期的巴黎这个宏大的历史画卷表现得非常迷人：剧院、报纸、出版人、富商、贵族、王室之间的各种勾当，寥寥几个场景就展现地一清二楚。对话非常辛辣（应该是巴尔扎克的功劳）让人印象深刻。此外导演应该是有意加了一些指射当下的元素吸引观众。
老狗的故事真是迷人，故事老套但还是挺好看的。
没有想象的这么好，节奏太慢了，2个半小时，最后我加速看的，讽刺的现象都是普遍存在的，一直存在的，毕竟是著作，当时这种事情可能还值得抨击，放在现在真是见怪不怪了。
Vincent真的好会选角色…虽然拍得不算太好，但巴尔扎克拍电影比读起来更有趣哈哈哈哈哈。最重要的是印证了那句话，确实，总有人写的东西会被留下，会被记住。
三星半 @UGC cité les halles avec Nicole
片如其名。空洞滥调。同意这是有声书而不是电影。
完整性比较高，对于没看过巴尔扎克幻灭的是个普及。乱入多兰可还行hhh
虽然但是短评里某位，《交际花盛大衰记》是什么鬼，《交际花盛衰记》、《交际花荣枯记》甚至直译《交际花的辉煌与苦难》也行，巴尔扎克看了盛大衰记这个新名字不晓得会不会痛哭流涕。《幻灭》本来就不是个人成长型故事，巴写《幻灭》虽然有短评里所说的意图，但本意也是鞭策自己，巴明明用更多得多的篇幅去揭露新闻界、文艺界的腐化怪相，说第二部是巴黎社会生活横断面也不为过，考虑到时长问题，导演以此为侧重点无可厚非，但删掉小团体我持保留意见。ps:裸戏确实辣眼睛，我不懂有什么存在的意义。（我坚持认为《幻灭》的体量不该拍电影，66版的迷你剧就很不错
对我来说也是法大革命时期的风情片吧，不过不太喜欢临近幻灭时那个超现实的镜头，实在不着调
能把Balzac的这么一部长篇小说（一部分）拍出来，就不容易了。人物众多，服化道考究，演员们的表演也算到位。年轻人如何成长，追求什么？现在看来，与那时真是所差无几。只要特权阶层拥有足够的财富，追求虚荣的Lucien们就会前赴后继的。又见到Xavier Dolan，脱去稚气，有点儿认不出来，不做导演了吗～
Allociné的评分还挺高的，电影院看的我觉得也还ok。就是正片2h30，无数次我都在走神，但是不妨碍get故事情节。剧院 记者 贵族 很多主题可以挖一挖！
名声决定一切的时代可不就得各种装嘛，可惜最终也没靠女人上位。
“停止幻想，开始生活。”傲慢的贵族对于渴望拥有贵族身份的人无疑是更加蔑视的。
好帅嗷嗷嗷，进度条撑住啊啊啊啊啊，前方高能细细品味 ，你看你看
终究是一场游戏一场梦 中间很多新闻媒体和影评套用在今天依然现实
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