The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
反杀
惊悚故事拍的很乏味，观感很酷完全基于镜头运用，仰视斜角，所有角度几乎没有一个是正的，压迫感就出来了。
这部影片警戒长得丑的我们，英雄救美挨刀子都得不到美人。
还挺好？拍没什么层次的故事的都请参照这个合适的时长，很尊重观众。
看完想去做个全飞秒，关键时刻眼镜不见就坏大事了😂
网络版后窗？这样监视，总让人觉得人工智能后面是人工操作
◎摄影、声音极为优秀。
PS：我再也不相信那些“故事为王”“观感为王”的观影准则了，今年就判错了一些电影和动画，离大谱了。
很简洁的一部新冠时代的后窗但是比偷窥者好看多了 索德伯格还能拍 比起密集的城市建筑或者是住户相对的透明窗户 反而是大数据和ai让人无处遁形 -who makes fake life online？-literally everyone.
很好看啊，分数怎么这么低啊？现在开始期待下礼拜上映的猫女了！！
有噱头 但不够好睇 社恐重度患者的自救 远亲不如近邻啊 现在的孩子还是多出来走走 不要就对着智能产品 连人与人的基本交流都变得敷衍了
视听喜欢！叙事效率是低了点，等不及想看Zoe的猫女了。
保持锻炼，才能比别人跑得更快，动作更敏捷，思维更清晰，最终实现完胜
1.疫情时代黑色（幽默？）电影🎬；
应该用多名演员来扮演主角的，不该只用一个演员。这么强的情节已经足以唤起观众共情了。没必要非得怼着一张脸拍。这么搞还很乱。导演应该更自信点。
女主不能打个911吗？
没明白套了这么一个壳，他想讲什么。决斗搞得有点意思，用钉枪杀人的想法不错。
索德伯格的covid时代后窗。小片很见功力。
Can’t really finish it, the actress is way too egregiously annoying and constantly distracted me.
社恐小姐姐出门一趟之后治好了自己的心理疾病，厉害
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