A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
这案件质量…看两人谈恋爱也不容易，仓木麻衣的两首歌好听
我从十岁看柯南追到三十岁，结果才交往我以为这种感情浓度都该结婚了，日本人太含蓄了还得搞一个正式的表白和恢复才交往。
这次案件的手法可以说是意想不到了（当然大家应该不是来看这个的。
20年等来的一个吻，在动画片里看到反而变得真实。
无惨这个角色还是可以好好挖掘的;原来现在节奏已经比当年好多了,还是一次性看爽
这么虐的两人爱情终于是修成正果了，但是刀还继续。不过这个看得很快乐。破案算啥。
工藤新一能不能多出现几集🥲想看甜甜的恋爱。
对应TV剧的6～10集，初遇大BOSS鬼舞辻无惨。
一般动画版是不标的，但，这是等了20多年的新兰里程碑呀。
探案都不太重要了… 新兰党的胜利！！跟老妈一起看的 想起了快五年前一起去京都的点点滴滴 真好啊
不想被剧场版骗钱，就来看看主线，没想到主线剧情现在也这么拉跨。推理都是什么胡说八道，动机也完全不是正常人能想出来的。同样是妖怪杀人和误会动机，早期《蜘蛛公馆》全方位吊打这部吧。（shine的日英双语梗我记到现在）至于新兰接吻，这不就是非常普通的中国纯爱偶像剧情节吗？而且这个场景放到600集之前和现在有什么区别吗？这里既然是兰对新一告白的回应，而且还是用接吻的方式，对兰来说一定是下了很大的决心，但整个故事完全没有把兰的心理变化刻画出来，兰就是一个在案件结束后接吻的工具人（伦敦篇做的相对好一点）。感觉青山刚昌现在已经完全放弃对人物性格的进一步塑造了，把角色的魅力点反复炒作，一点点消耗读者对角色的好感。从满月篇到达巅峰后质量就开始下滑，从波本变红就开始彻底降智，现在真是多看一集都在浪费时间
更重要的是还有新兰撒糖
谁还看推理啊，十来年了，新兰终于亲个嘴儿了
重温
就是TV版凑一起啦！但还是好爱好爱，好喜欢看新兰的感情线，太甜了。我最近看柯南又上头了！
TV动画《鬼灭之刃》的合集：第01~05集→《兄妹的羁绊》、第06~10集→《浅草篇》、第11~14集→《鼓屋敷篇》、第15~21集→《那田蜘蛛山篇》、第22~26集→《柱众会议・蝶屋敷篇》。
不错！五个人名字错位排列出另一个人名字的片段 挺感人的
真的吗？是什么？
因为这部电影的主题曲入坑仓木麻衣，音乐响起就仿佛看到了枫叶飘落的景象
新兰yyds！太甜了太甜了，时不时会去重温一下！
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