Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
发型发色真棒，蓝毛让人心动，中译名冷感酷女孩是有道理的cold cool blue
可能更近乎于数字时代和后疫情时代对人的异化？
听了个社会新闻一琢磨就弄个后窗高科技版的感觉，创作估计耗时半小时，索德伯格已经多年作品在及格线徘徊了，一直是很有想法的导演镜头运用也很有个人特色，但近几年一直给人在糊弄的感觉，比起年纪大的多更爱惜羽毛的导演该长长心了。。。
实在是太水了，没成本就没成本吧…没成本能不能在剧本上下点功夫…浪费时间
such a mediocre film, what should I suppose to say, should I praise the feminism, or congratulate to the depression, social phobia patients, it's just a normal criminal film, don't tell me some classic scenes which didn't help anything
大概《芬奇》+《天鹅挽歌》+《KIMI》连着看 就是《黑镜》最新一季吧。
除了拍女主社恐的镜头比较出彩外剩下的故事实在乏善可陈，90分钟的片子硬塞了一堆时代议题显得贪多嚼不烂。
一個非常簡單常見的犯罪故事套了一個靈魂穿越的概念，不過打戲拍的還真的不怎麼好看
故事短小精悍 层次分明 不错的影视小品
一般 但是每次女的都不爱补刀 真是不喜欢这种妇人之仁的塑造 本剧女主补刀补上瘾 钉子枪大站真枪 简直小鲁班 跑都不让你跑
就女主与自己的过去和解了，在kimi的帮助下，可以这么说吗……
一个导演只能拍属于自己那个时代的内容，这个是跳脱不了的。
就是现代版的《后窗》，探索大数据时代带来的道德伦理问题。
平铺直叙。
手持摄影有趣，索德伯格也算行家了。
融入了现实科技背景的悬疑惊悚 最后的结局也大快人心 不错
没明白套了这么一个壳，他想讲什么。决斗搞得有点意思，用钉枪杀人的想法不错。
社恐技术女发现高层秘密欲被封口，结果反杀对方三人，最后10分钟才酷起来
没有做特别深度的探讨，就是一部爽快的剧情片！
病毒+AI……也许真的就是未来。
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