Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
7分。配乐和各种剪辑，把电影整得不像电影。没什么电影艺术的美感。所以从“电影”的角度来看，总觉得它差点意思。但是如果抛开电影本身，将电影中的角色拎出来看，又会赞叹其中的美好。电影中的故事终究只是故事。
真的一般，整个故事设计没有任何可以夸赞的地方，但这部片子票房还不错，因为拍的是刚刚发生的历史。
情人节一个人在房间爱奇艺花了6块钱看的，6块钱我买瓶啤酒喝不带劲么🙂
原本以为是假煽情，看了以后发现编剧还是很用心的
有几个细节抓的挺好，黄渤解封后回到家，搂着熟睡中的媳妇儿，媳妇儿下意识去握着黄渤的手。老年人的爱情故事矫情了…………徐帆和高亚麟的爱情故事还挺动人的
只喜欢结尾
影片中让我忍不住落眼泪的几乎没有主演的参与，而且一幕幕在社交媒体上看过的情景再现：疫情初期决定封城武汉人真实画面、医务工作者义无反顾奔赴前线、大批物资从各省市遥远驶来…… 反而刻画的几组形象，细节没处理好，情感不够朴实细腻，越看越觉得为了煽情而煽情，最后结束时候我扫了扫全影院的人，属实冲动拥抱的不太多啊……
武汉疫情这样的大事件，不用煽情感染力也足够。但导演还像拍青春修炼手册一样煽情，多线条叙事不伦不类，愚蠢且滥情。
咱就是说，李氏夫妇大桥上讲那一段话加上拥抱，给我整尬到了。虽然题材是很好，但确实内容太碎了，个人觉得撑不起一部长片。
我觉得可以不要拍抗疫片了 有点审美疲劳了... 电影主题很正，但真的觉得和别的没啥区别
两个我最喜欢的镜头分别是站在路边抱着菊花的女生，晓晓坐在武哥后座开心的挥舞着手臂。最喜欢的故事是叶老师跟武哥的故事。
尽管几乎可以猜到所有的剧情走向，可还是忍不住红了眼眶。这场集体和浩劫带来的创伤需要时间和温暖去治愈。
感动到我，四星鼓励。就是觉得贾玲与朱一龙的cp有点突兀，武哥的爱有点自作多情的成分，不过蛮可爱滴
精彩也不精彩，我也不知道是电影拍的好，还是真正的经历影响我，有些地方还是不自觉泪目
怎么说呢，贾玲是真的厉害，戏是真的好。很难想象当时的武汉人民是如何挺过来的。
普通人的守望相助看看中国医生就够了，问下导演不尴尬吗？？！
即使是将经历过的拍出来就已经很感人了，没想到，二年多了，还在持续中。
开场哭到散场，但主要还是联想到了实际发生的事情
你会弹钢琴，这么有情调，老婆为什么跟你离婚？
在这里，让我重新认识了徐帆、贾玲的演技，原来他们不是天赋派的，也得靠导演的调教。大雨里徐帆哭的那里，我真的是看乐了。
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