With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
不错，好久没看到这样的夺宝片了，推进很流畅，当然细节不用细想，硬伤还是有，道具设计也比较敷衍，但好在各种特效与动作设计到位，最后的高潮戏还打出了古代海战的感觉，赞！荷兰弟湿身N次，一个劲卖肉，但也包揽了精彩的动作戏，但演过超英有利有弊，有的名气和片约，但不管怎么看还是小蜘蛛在那里蹦蹦跳跳。马克未老先衰，打了最彻底的酱油，女主扮相不太好看，和荷兰弟的感情线也没展开。总体好评，推荐！
但是荷兰弟……oh youth！
想走成龙式冒险喜剧的路线，但是即不好笑，动作也不精彩，靠着仅仅两场大型动作场面糊弄观众，解谜也无趣到挠头，各个层面都毫无新意和诚意。紧张感远远不如《古墓丽影：源起》，人物塑造被《国家宝藏》丢在地上摩擦，荷兰弟和沃德伯格毫无火花，连场尬聊，甚至很多场戏感觉编剧都写不下去，再次感受到好莱坞传统商业片的创意枯竭。
官方给的糖，就算它满满的玻璃渣我也爱！CP党就是这么杯微
整体算是中规中矩的探险电影，反正也没期待解密有多么精妙，打斗和大场面好看点就行，说到打斗，本片的cg人和各种替身实在是有些明显，动作戏剪辑的不连贯也削弱了动作本身的观赏性。
第一部挂playstation厂牌logo的电影，一部不需要带脑子看的爆米花片，纯消遣娱乐还是可以的。综合提取了游戏1-4里的一些场景元素，有一些致敬的细节彩蛋和bgm，全新编排的电影情节，荷兰弟和沃尔伯格互相嘴炮的基情小火花还算好看，密室逃脱+夺宝奇兵的路线也比较适合商业片
划个重点，《月红2》是月红篇的特别版，并不是院线电影，可以说完全就是粉丝福利！虽然是全新团队打造的剧情，但是在番剧不断更新的情况下还是足够负责的！事实上月红粉们已经等待多时了，因而长达一个小时的《月红2》绝壁引爆七夕！
爆米花电影，看着很欢乐呀，尤其是在疫情泛滥的时光里。
拍的确实挺弱智，还好没去成电影院看。(因疫情被影院退票是天意)
IMAX上看复古式肉搏还挺刺激的，老牌花美男班德拉斯居然沦落到只打了半部酱油，我还指望他突然爆衣呢，真是前浪死在沙滩上。
500年的木船，海水里泡了500年的木船，海水里泡了500年且满载黄金的木船，用一架直升机吊起来了。我是文科生，但还是给爷整笑了
说爽片么也不爽，说科幻么不科幻，“神秘海域”这翻译是怎么回事？90%时间都在陆地，还以为要在某海域穿越异空间，结果就这？
最近刷荷兰弟电影比较多，这种寻宝类的电影永远让人欲罢不能~
很标准的纯商业化电影，没什么记忆点的冒险寻宝片，没新意，不走心，情感戏基本走流程，但也能足够吸引你看完。荷兰弟表演有待突破“蜘蛛侠圈”，马克·沃尔伯格还老样子。还是期待续集的。
平平无奇航海寻宝冒险类型片，都三四十年多前的陈菜了也要翻出来炒一炒，各种无视牛顿定律瞎整活儿。倒也不能说难看，就是拍得太无聊了，无新意无激情无内涵，好莱坞量产流水快消品。
现代寻宝题材，情节紧凑刺激，不过反派塑造不到位，加上巧合太多，令两位主角的冒险显得太过轻易。部分情节致敬《夺宝奇兵》和《加勒比海盗》等经典类型片，演员亲身上阵的动作戏更浮现出怀旧的味道，也是在乏善可陈的好莱坞套路里为数不多的亮点。
游戏改编的及格作品，寻宝解谜的过程弱于《国家宝藏》，荷兰弟和马克的选角与游戏实在有距离，男女主没有火花强行凑，结尾直升机吊五百年古船更是离奇，好在节奏流畅，动作戏不含糊。看个乐，可以期待下一部
纯纯的青少年冒险片。这解密过程看得我一脸懵逼，这都行？
弱智剧情，sb建模，炒冷饭差不多得了真的。
看了个寂寞 真的连三星都不想给 感觉马克演的很勉强 荷兰弟也是主角光环 然后剧情到底是想干嘛 不是说跟游戏毫无关系吗？我觉得这电影还没有游戏做得好 做的流畅和连贯 烧钱还搞个高空动作戏 腰居然都没有折断还安全降落了 我真的好累啊 浪费时间 连红色通缉令都不如 虽然那也是个烂片
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