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Ten years ago, Ginny (Toni Gonzaga), an Architecture student, and Marco (Piolo Pascual), a History professor, began a one-of-a-kind and unpredictable love story. In the five years that they were together, they brought out the best in each other, which included Marco's unrealized dream of becoming a chef. Together, they worked towards their dream of opening up a restaurant, but when Ginny realized her own pursuits were different from his, she rejected his wedding proposal and left the country for a Masters degree in Architecture. At present, Ginny co-owns a one-stop Architecture and Interior Design firm specializing in Restoration. She receives an email from Marco, which was written and sent after their break-up, meant to be read four years later. It makes her feel even more regretful of leaving the love of her life. When their firm receives an offer to restore an old house into a restaurant, she is ecstatic to learn that Marco will be co-owning the restaurant. She takes this as a sign...
看开头就猜到了结尾那种
黑暗风减少,欢乐更进一步,而且“亲子鉴定”看来也不太可信了,哈哈!
虽然真的很弱智,但好欢乐好好笑啊哈哈哈啊哈哈哈...突然回想起小时候在电视上看过亚当斯一家
亚当斯的配乐一向不错 赞啊 可惜这部有点偏低龄化了 不够暗黑不够哥特
还可以吧,没快进 没闪退,一气呵成看完了。
我个人还是喜欢这个版本的,至于漏洞这些么我觉得是大多数导演的通病,比如逃走不带武器,抢过枪来又无故丢弃,坏人总是开挂-怎么着都弄不死,警察总是粪草,啥也不是……但化妆这些我觉得胜原版一筹,细节把控到位,鼻子骨折明显可见。
很好的题材,让风骚律师Bob来演估计会火爆~
这么好一个题材拍的这么平平无奇没有high点,写这么多黑人平权的台词,还不忘来几句辱华笑话,导演真有你的
故事好无聊啊 不用Addams一家为背景也可以;怎么小怪物们都喜欢family travel;always love Wednesday
第一次感觉Wednesday这么让人血压飙升…
比较拖沓,明明1个半小时就可以讲好的电影拍了两个小时。探员的梗都不好笑。
比电影好看的是旁观隔壁一家不按座位坐被工作人员赶走 @ AMC Fresh Meadows
挺好的故事,就是什么都过了那么一点,就像mcu本来可以恰好但总是过那么一点
要不是黄政民这电影真的太一般了 反派太多了也没什么必要而且演得太过了 每个人都好吵演技流于表面 黄政民台词超级好没有字幕每个词都听得清清楚楚
续集是公路片,一家人开车环游美国,犹如美国旅游宣传片,美国著名景点一览无余,不过如此走遍美国的剧情设计和剧情实质关联不大,不走景点同样可以完成剧情,走马观花式的走景点似乎有拼凑片长之嫌。
剧情毫无亮点,但我真的好爱wednesday!
希望所有在特殊时期瞎逼囤货的朋友们都应该有脑子!
给小朋友们万圣节看的亚当斯女儿叛逆期的故事~~~
漏洞总是留给有准备的人,总体中规中矩吧!顺道来一波女性觉醒。
正好最近在看精灵旅社,同样类型的动画,我更喜欢亚当斯一家,动画的质量高很多。这里说的是画工,精细度,节奏把控和音乐选择上都更加像给成年人看的动画。虽然故事情节还是惨不忍睹了。星期三也太招人喜欢了吧
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