Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
搞笑更是认真的，不得不说要素过多，从索尼到漫威DC，剧情也不差，真的很6
作为爆米花的话，完全合格了啊。法国喜剧可比美国有意思多了，巧妙多了
比前作《城市猎人》收敛了不少，影片规格和趣味程度也是直线下降。
ps：不愧是小排球的导演，完美挽救了柯南剧场版的下坡路(>_<)
有小时候那味儿了 安室透这个男人该死的帅气
哈哈哈哈这一通恶搞，阿汤哥和巴黎圣母院招谁惹谁了
Lee老爷子都出来了 哈哈哈哈哈哈哈哈哈哈哈哈哈哈
真是不咋地，看有人说2022最好笑法国电影才看了看，原来是拍给大傻子的电影。。。平均15秒一个笑点抛出，结果只有3个镜头笑了，实在太尴尬了。大众审美令人恐惧。
“埋汰”漫威和DC的不搞笑的搞笑片 emmmm一般吧
比起爬水管皮球堵炸弹我最想不通的是旁边的小姐姐竟然看哭了
故事完整合理 梗融合的也不错 穿插的爱情也不突兀 值得一个高分
满屏幕的缺预算，优点是它对柯南剧情的推进比过去两年青山在漫画里做的都多
这部质量意外的还可以，也可能是因为我看之前的期待是负500结果动画大概做到了10。警校四人合力抓人那段好到巅峰时期的柯南警匪戏水平，有点惊艳
对法国喜剧总是不感冒，看个乐，也不是很乐。
法国喜剧的无厘头＋写实的风格总是可以让观众毫无准备的开怀大笑，不需要任何铺垫的穿插各种笑点，其中各种各样致敬恶搞超英电影名场面和角色的桥段又可以让漫威DC两家粉丝会心一笑，最后致敬斯坦李的镜头也很有心，结尾的反转也算是小亮点，经典的法国喜剧电影风格夹杂了大量美式电影的梗，虽然表现手法有些许拙劣但是一个半小时不到的时间里也带给我了许多欢乐。
近几年来为数不多能看的了 主要是节奏把控的还可以 虽然推理的部分仍然拉胯…
高佐搞得像代餐上位，但回忆太动人，故人的滤镜只会越来越厚，甚至悟到为什么立本人喜欢死人纯爱……安室透既可以女王又可以战损还填补了柯南不能肉搏的空白，官方推他确实让人信服
比前几部观感好些，柯南果然反物理动作大片。两次仪式的模拟太搞笑了。第一次看没字幕的，实在是水平有限一大半没听懂，只好看剧情瞎猜。看完疑问渋谷的下水道那么差吗？
法式幽默还是很鲜明，塑造一个傻了吧唧的角色，里面有成群成批的经典镜头被拿来玩儿，尤其是妇联跑步前进那里就是一模一样的…
要抓的嫌疑人在即將墜毀的直升機裡要怎麼辦：當然是跳進去打一架！（（）
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