Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
一部温情而质朴的影片，藏区的孩子们淳朴善良，韩松老师也是为了藏区的未来而努力，克服重重困难。
说一句感谢不为过！我们现在的生活充满了忙碌，也许真的应该停下来好好的关心下身边
总是觉得自己没什么负担，其实只是不过是有人在替你负重前行罢了，韩老师付出了自己的一生，最后才让孩子们都有学读
绝大多数人都为了生活在奔波，找不到生命的意义，微薄的工资累死累活的，同事之间的勾心斗角真的身心俱疲，所以才会这么羡慕他们轻松氛围的生活吧
看了这个电影我才知道原来支教这么辛苦，我在这里向那些在偏远山区支教的老师们致敬，“谢谢你们，你们辛苦了！”
我们不能因为别人的不善良，就放弃自己的善良。僧格做到了。 心在哪里，家就在哪里，爱在哪里，家就在哪里。韩松老师做到了。 梅朵作为一个典型的藏族女人，纯洁无邪是她的品质，但是我更欣赏她的坚强。
我对特效方面不是很满意，那几匹狼有些假，看着像几条狗
电影中的男主处理起任何事情来都得心应手，就很优秀
狼群那里的特效虽然有点拉胯，但是女主这里很机智很淡定我直接爱了，漂亮又有能力！
难看得要命、假得不行，人物类型化、藏区想象化，除了几首藏歌好听，真没啥可圈点的。
韩老师也是一步步在进步，不是完美的伟人，他也是普通人，生老病死无法抵抗，不过这样才更真实
虽说剧情中有一些看起来比较生硬的地方，但是这并不妨碍电影本身不错这一个事实
很少看这类电影，感觉风景很不错就点开看看，没想到发现了宝藏，很有风土人情的一部电影。
一部很感人的电影 不为什么 只有一颗炙热的心 想让藏区孩子受教 一群朴实的孩子和老师却让人记忆深刻 从前天很蓝 日子很苦
每个风景特写都可以直接截图做桌面了，太美了，总有一天我要亲眼去看看
相信所有的同胞们都会生活得越来越好，藏区孩子清澈的眼神，每次重温电影都会让我感到感动
虽然超过了绝大部分电影，但还是有太多瑕疵。前半段称神，后半段狗血
感觉可以多拍一些这样的电影，很有教育意义，也让我们看到了藏区的真实生活
主旋律的电影，似乎一定要人命牺牲才显出高大伟大。但若朗措大哥好好活着，好好陪着学生，不好吗？还有僧格，也算是强行牺牲了。
在看不到的地方有很多这样的支教老师在奉献自己，希望大家能多看到他们帮助他们。
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