Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
带小朋友去看，很轻松的氛围看完全片，又多了一个喜欢的小老鼠角色，天天。
金道振32岁，金赛纶10岁，称呼大叔，是叔侄。
韩国几个新生代单眼皮女明星个个都漂亮有特色，朴素丹， 金高银，金多美， 可甜可飒，都喜欢。ps：配乐太带感了
与其说是女版的《孤胆特工》，不如说是韩国女版的《玩命速递》，整体质量说不上太好，动作戏质量一般，但赛车斗车环节设计的还是不错的，女主脱北前，肯定也是属于军方人员，打斗能力说不上出色，但开车能力确实牛。影片质量还是可以的，没事时看看绝对没问题，我给4星7.2分！
全片快节奏且充满打击感的动作场面，也在朴素丹自然演技表现的搭配下，透过收到无法退还的物件，对角色的心境转变作出完整的诠释
这哪能和大叔比？营销一直说女版大叔，这给我激动坏了，看过来感觉还不错的样子，尤其宋清晨那个吊样子非常的有特点啊，片尾的手机接到新任务明显是要继续第二部！另外，看到没多人问女主咋脱险的，我真是头疼，水里那个钥匙的特写那么明显，前面又表现了这货什么锁都会开，而且身手了得，加上男老板之前说的她家人全死她全身是血逃出来的，可能也不是个善茬啊，那动作明显是练过的……
剧情有趣好看 也令人感动 小朋友应该都挺喜欢的
女主车技浮夸、做作，不如高司令稳；战斗倚仗的还是血厚，后脑挨了钝器一记重击居然不倒。
娃娃一直在看的一部动画片，这次出了大电影版，第一时间带娃来看，还不错，剧情挺精彩的，落地在保护环境，还有母爱的伟大，点赞
抱着陪看的心态，结果却发现这部
爽就完事了 长得帅又嘴甜的小男孩才能活得久啊
好久沒看量產韓片，還是熟悉的“食之無味棄之可惜”⋯
演员阵容就反映定位了，反派真的不太行，流水线作品
朴素丹最后一个镜头是因为落水太久泡浮肿了么
一顿胡来，为什么总要把脱北者描绘成无敌悍将？相比《大叔》，力不从心了许多。
是体现母爱的伟大的电影，很适合带小朋友一起看。不过，我们家中班的小朋友好像还只能看懂搞笑的部分，感动的部分还要再大一点才理解。
作为脱北者，你珠圆玉韵的样子对得起金将军的苦心栽培吗？
三星不能再高了，前段女主够帅，人设立的不错，但后半段和小孩的感情戏不够深入，中间杀手突然变得太弱，另一组警察介入案件显得极为牵强，细节丢失，影响观感。反派这个黑警设定并不成功，还不如就作为黑社会效果还好一些。
前期飙车戏很精彩，最终战很乏力只想快点结束。主演都不错，反派和小男孩都很可爱。
女主长的好像yamy
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