Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
普普通通。毫无亮点，没有任何故事线，卖点梗就想出电影，结果出了点成绩，就开始圈钱，热度还没搞起来就开始玩电影，别闹了，全宇宙都出电影，搞又搞得四不像。别出来吓人了。
一开始对这部剧没抱太大希望，没想到真好，可爱、搞笑、各种表情很细节
#电影小虎墩大英雄#“忠义护镖，使命必达”，这是贯穿全剧的一句话，是信念，是责任，也是承诺。看完《小虎墩大英雄》，深深地体会到，无论是古代的快递员，还是如今的快递员，工作都是蛮辛苦的，请多多体谅他们。小虎墩，从一开始的虎头虎脑，调皮捣蛋，到最后的成长，都挺有学习意义，很适合一家大小一起到影院观看。
剧情不错，春晚的节目也是一起的吧？感觉剧情虽然老套，但很多细节都不错，虎墩儿长大后虎投帽的绳子！但因为没有惊喜和宣传，感觉票房有点惨淡
故事开场少年孑然一身，
和孩子电影院一起看的，他也不怎么喜欢。剧情平淡，感觉搞笑的部分没有多少，打斗的部分倒是不少，也没体现出虎墩的英雄主义
让人看出一种久违的江湖武侠韵味，一路沿途的风景大气壮观，人物动作干净利落，画面特效可圈可点
虽然 但是 为什么会在春节档发这个片？？？我不理解
片尾歌不错。
之前一直关注虎墩的抖音号，所以今天也带孩子去看了电影。整体感觉还不错，孩子比较喜欢。电影完整度和情节都可以，故事对于孩子还是有教育意义的。作为一个新的国风动漫形象来说，在很多热门电影大年初一上映档期虎墩和他们同台PK实属不易。
陪女儿看的，有感动有搞笑，传统武侠风，女儿想回看，但是排片太少，附近二家影院一家没排，一家只排了9:15的，有且只有二场
小虎墩真的好可爱 带着小朋友去看的 小朋友特别喜欢 开心极了
排片太少，起大早拉着上初三的弟弟一起去看的。可以说是熊孩子历险记了，大人们看可能会觉得很生气，挺适合小娃娃们看的，同场小朋友看得津津有味，笑中有泪。年味很足，人物形象设计得很丰满，配音超贴切。我很喜欢杨镖头。
去年给电影做过前期宣传，导演说这部电影的最大亮点是原创故事，不做中国神话传说确实不容易得到大众的关注和认可，给加一星支持一下吧。
值得带孩子去看看
这个电影还不错，画面精美，情节也不错，很适合虎年带小孩子观看。
标标准准的低幼版大动画电影，虎年贺岁有创意，镖师及说书题材有新意，其他就乏善可陈
我觉得挺不错的，虎墩太可爱了，虽然有点不成熟，但在路途中也成熟了不少
大年初一就去看了，怎么说呢，十二岁的孩子着实有点叛逆啊，哈哈
大年初一去看了，适合和家人一起的春节档电影，中国风的设计，小虎墩形象很可爱，大boss原来还有反转，温情中有感动，搞笑中有励志，国漫越来越好了！
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