"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
但我个人觉得作为起源电影至少完成了引入角色的任务，而且明显是在铺垫日后更多的集结。
除了他弟弟之外这家庭没一个人是正常的，奇奇怪怪浑浑噩噩。
仁义只是手段，而不是目的。越标榜什么就越缺什么。
其实还挺有内容的韩国黑帮片，复杂而真实的人性把控得挺到位。
蠢飞了，照着《毒液》抄居然还能再差一个档次，完全就是个超长预告片，看完连槽都不想吐。动作戏黑乎乎没有细节（大概是给特效遮丑吧，最后的决战差点看瞎），文戏每一秒都在侮辱智商，唯一存在的意义就是再次证明了把一部彻头彻尾的B级片拍成PG-13是件愚蠢透顶的事
我觉得故事讲的不错。大体一看，结构没啥毛病。用光，运镜也是考究的。
看预告片以为是惊悚怪物片，未露面的怪物吊足了胃口。现在看来是青春期心理教育电影，很无趣。
三流的导演，把一个这么好的黑帮故事拍的稀烂。
这样的黑帮争斗确实很繁琐每个人人都在想办法活下去中间又掺杂一点道义
字幕组:加油！푸산 사투리 직인다 아이가……
电影有极强的隐喻，是那种看完引发深深思考的电影。女孩为母亲而活，鸟儿为孵化她的女孩而活，他们都失去了自己。
本片讲述一个12岁的完美主义女孩发现了一个奇怪的蛋，她把蛋藏起来不让苛刻的母亲看到。而当蛋孵化时，一个像鸟一样的生物出现了。
很有意思的北欧小实验。孵化出自己的阴暗面，愤怒、嫉妒、暴力，人性的恶从来都和年龄性别无关。从鸟变成鸟人变成人，在这样一个极度畸形又各怀鬼胎的家庭里，善良终究消亡。鸠占鹊巢的怪物食腐饮血，也敌不过妈妈的笑容令人恶心恐惧。
其实还挺有内容的韩国黑帮片，复杂而真实的人性把控得挺到位。
没有看到黑帮史诗气质，对于被迫成为老大描写的比较深入。反正不管中间如何风光，如何霸气，入黑帮最后结局都是死路一条！
选材情节都还可以，但对于家庭关系的表演有点生硬
孩子教育，真得是大议题。原生家庭啊！
这电影很有深层意义，不是一般的恐怖片，女儿长期压抑自己来讨好母亲最后心理分身出内心最真实的自己
看完了，很喜欢小鸟，不知道结尾是女孩死了还是变成了鸟继续活着，真的很讨厌这种家庭。
虽然新世界的高度再也回不来，但这部确实拍的不错，不应该这么低分，还有归类不应该是动作片
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