Min Ji-suk runs a "ticket bar"where customers can purchase tickets for certain "services"in the town of Sokcho in Gangwon-do. She hires Miss Yang (Ahn So-young), Miss Hong (Lee Hye-young), and Se-young (Jeon Se-young) through the employment agency. Miss Yang and Miss Hong, who are well experienced in this type of business, are used to accepting propositions from customers. But Se-young, who is dating a college student named Min-su, rejects all requests for sexual favors. When Min-su professes to having problems with his tuition and finances, Se-young reassures him that she will procure the necessary funds for him. When the bar's clientele begins to dwindle because of Se-young, Ji-suk reprimands her severely. Se-young develops a close relationship with a Captain Pak and even allows him to sleep with her. She asks Captain Pak to find Min-su employment on a boat, but when Min-su comes to Sokcho for his new job, he sees how Se-young has been making her living. Shocked, he turns his back on the job and leaves. When he eventually returns to Sokcho, he scathingly denounces Se-young's morality and severs their relationship. Decades ago, Ji-suk had stumbled into the bar business in a desperate effort to support her husband, who was serving time in prison; she later left him voluntarily out of shame and moral degradation. Concerned that Se-young will end up with the same fate, Ji-suk asks Min-su to meet with her. She begs him not to abandon Se-young, but he flatly refuses. Ji-suk reacts by pushing Min-su into the sea, and suffers a mental breakdown that lands her in a psychiatric institution.
达妹真的太美了，非常适合简奥斯汀笔下聪慧美貌带有一丝俏皮可爱的女主。除了Mr.Eillot最后竟然… 其他都很好。台词美得想反复阅读。画面以及导演手法也很好。
逮着一只羊薅，真的累了，一开始就可以猜到的剧情，能不能用这些钱拍些别的血浆片，我也是会看的。。
韩国电影太现实，贫富差距，人的贵贱差距……
世界上需要更多像惠英一样敢正面刚，甚至举止恐怖的底层女性。受压迫者最好的崛起方式，就是不停地被打倒、不停地站起来。
奥斯丁的棺材板要压不住了。男主看上去像中风过在努力康复中…全局就达妹还能看看（少些尴尬的独角戏和独白更好）
那些坚强、果敢、野蛮、硬撑、裹泪、粗旷的灵魂，谁想这样? !还不是因为这操蛋且卑微的生活和这无理且凉薄的世界。
就，女主角是挺漂亮的，就是跟原著劝导没啥太大关系
没看过原著，单就电影表达而言蛮喜欢，是平等、专注又带点骄傲的爱情
能看出编剧已经努力了，甚至兴致勃勃地把规律和创新点念给观众听，难的是jump scare 作为恐怖片的一种创新空间已经很小了。
笨拙地引用类型，但却过早放弃了语气，最终呈现为一幅没有入口的图解。因此每次反转和解构都令人疲惫
面目全非。。真正的Anne才不是酒鬼，也绝不会在餐桌出那样的丑。男女主的情感表现不到位，完全表达不出Anne的痛苦挣扎Frederick的失落隐忍。近年简剧越来越戏剧风了，父亲总是莫名其妙走喜剧路线。。一星是给电影制作的。
“好莱坞完全没有创意了，所以我们决定给他们一些新的素材”，电影里的台词
最差的一部，不仅仅是凶手毫无悬念，而且每一个死的都毫无感情，并且死得毫无新意。演技和台词更加倒胃口。连最不入流的jump scare都没有。。。
水手没rank不能嫁，老爹更是不会marry down，然后她妹嫁了个黑人，你让我这逻辑怎么捋顺
netflix 有能力把一切简化成艾米丽在巴黎……
如果剧本再打磨一下就好了，能不能再俗套得高级一点，完整度再高一点，不然真的可惜推土机这个意象了。金慧允演技真的好，以为是天空之城再现，但其实多了很多细腻的东西。这破公司什么才能把我们公主放出来挑大梁！！！
不太忠于原著，把Anne给改成更符合当代“剩”女的戏谑样，连对二号男主的讽刺也少了很多
吞声忍气 抑或 殊死一搏
万万没想到，主创玩得这么开放，疯狂吐槽调侃恐怖片及续作套路，大玩特玩好多迷影梗。原班人马回归也是非常有诚意了，强烈推荐
没看过原著，单就电影表达而言蛮喜欢，是平等、专注又带点骄傲的爱情
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