Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
败笔在跨物种的爱情线和那个杂交蛋…
这电影色色的，女主怎么还漏乃乃了。我还以为看错了。
剧情设计的挺好的，不算低幼。底子还是那套大道理，友情啊合作啊共赢啊宽容啊啥的。高潮后有几个片段让我惊讶，甜甜圈和渡渡鸟跨种族恋爱了？明明渡渡鸟的配音以及设定给人感觉都是一个知性女士，甜甜圈男主给人感觉是个宝宝啊！二话不说直接接吻去了，最后还杂交了个蛋出来？以及可爱的狗子在这里面扮演了会用刀和炸弹的反派。估计国内上映的时候得删掉写片段才行了。
充满爱意的做，看起来很可爱的啫，我还是不能被你拿捏，一些奇怪的点，帮助女孩子找到了更大的海
谷阿莫，看那么多名演员本来想看的，无奈分太低，桑德拉布洛克都58岁了啊，还可以穿紧身衣。
配音很拉胯，小白黑化的很奇怪很突兀，我并没有觉得那些甜甜圈多可爱，还是小白可爱
但是跟寻梦环游记真是没法比
孩子说喜欢白颂德，并且表示不觉得他坏。大概是配音问题，她觉得两个主角有点凶【捂脸】
有不少中国元素
科学家主人最后出来训狗，以及“甜甜圈”有了自己“蛋”，瞬间将欢乐指数提升到最大，形似甜甜圈的小动物兄妹因为一场意外穿越进现代上海，急中生智去取胜，也呼吁了爱、包容、智慧，对青少年有很好的教育意义，走合家欢搞笑路线，幽默恶搞的笑点不断，温暖的故事治愈人心，各种转折更是充满着妙趣横生。
鉴定为工业垃圾
我觉得可以7分吧，剧中的各种造型很加分，小白的反转也有点意外，最后结尾还是蛮刺激，是适合小朋友和大人的喜剧，国庆嗨翻天就ok了。缺点是中文翻译有太多网络词，违和，显得无聊了。
你们都温馨甜蜜的爱国，我却是雷打不动的动画片。全场很嗨，家长也没睡着，就算不错。甜甜圈🍩和鸟🐦最后还有了爱情结晶，惊喜～ 有上海，有北京，有长城，有郑和，还放了烟花，也算是“庆生”了～
感受到了浓浓的青涩感。
海边的青春，集风，音乐真好听，颓。最悲伤的故事是忘记了今天发生的一切，跟一个还不错的男生仿佛第一次接吻般的开始恋爱。
片名叫错位的青春，电影视听也错位。漫改电影不可避免的夸张化尴尬化在片子里毫无意外一一踩雷。表演的不成熟，剧作和视听的错位，一会黑化丧化，一会情欲化，一会甜美化，一会轻松化，风格反复横跳，看起来内容是塞得满满的，但连最基础的人物动机都没有捋明白。
低幼萌的流水线动画片，自然史百科全书，被重视的人会发光，适合五岁小朋友。
就是Brad Pitt 这便当领的太突然，有点让人猝不及防。
小朋友们在嬉笑间还可以学很多历史文化知识，比如：达尔文提出了进化学说、1417年郑和下西洋、1735年乾隆登基……
开局不错，开展不行，以为是冒险喜剧结果一点也不冒险也不喜剧
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