Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
只有医生受伤的世界形成了orz
嘛，简单来说，就是存在主义与虚无主义之间的对抗咯，但是人类是不能选择虚无主义的就是了
求求了让飞碟社来做吧。感觉期盼了很久剧情也确实都拍到了但是毫无游戏里的感动和震撼。打戏很一般，甚至没有绝对魔兽战线里牛若丸那一战的惊艳。一堆哑巴英灵看着就更尬了。剧情线就更不行了，医生开第一宝具那段震撼力完全不行，芙芙剧情剪到片尾字幕也非常迷（真就默认玩家都知道剧情呗），人王互殴那段满脑子就是“你们不要再打啦”.gif。战斗结束神殿崩坏咕哒感觉完全不着急回迦，路崩塌了也就是啧了一下，毫无求生欲。实在是一篇只能说看到了会动的医生和大达芬奇的流水账，震撼度甚至不如舞台剧
对于没玩过原作的人来说应该还是可以的，但是对于玩过原作的人来说属实有点微妙。期待了很久的医生第一宝具演出有点拉胯，其他来说还是不错的，如果时长能再长点就好了。
互相救赎真美好。但是等了一个小时才牵手亲亲可急死我了😅😅还有结尾是个啥呢…………
为什么被改编成了动画就迷之尴尬，不懂，过度煽情了，这个只有罗马尼消失的世界。
战斗镜头全都是燃烧的经费 分镜有点乱 bgm也差 其他都挺好 本来非常期待所有英灵出场 结果弄得太弱了不够激动不够燃
被译名吸引来，还挺不错的，对于“换个地方”“寻找自我”这些事情还有敬意与思考
名字翻译好美 想到去Conny island坐过山车的某次夏天旅行
知道原作怎样才能体会电影版烂到不行，以及奈须蘑菇为什么是顶级写手。原作从终局开始每一步都是高潮，你看看这改编都都是些啥玩意
气氛倒是挺有那种最终话的气氛。。。
需要不时看看青春片来回复青春。年轻真好，落日海滩和夏夜晚风真好。
九十分钟全英灵出场部分果然还是太短了，大多数是哑巴也能理解但是总能请几个吧！燃点不足盖提亚台词太多，整体显得流水账，最终章本身剧本就这个样子做成剧场版也还不错中二幻想定时满足。
玛修唯心盾和医生自我牺牲这一段拍的什么机芭玩意啊。。。
三星半。
讲真都不如范式的手书，打架没力气，英灵都不说话省钱吗？
画面效果好棒！配乐也不错！就是情节挺平淡的，是颜值坚持我看下去哈哈
害，什么高分低分的，能动就行
算是帮我走了一遍剧情吧，毕竟我也不玩游戏，制作上还不错，故事就一般般了。
只有医生受伤的世界形成了orz
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