Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
氛围塑造有点不行 想感动的地方感动不起来 战斗戏作为剧场版好像没有之前第七特异点tv那么突出
作为一个院线级剧场版，结果剧情表现力和文本感染力却还不如原本的静态文本ppt，足以说明这部做得有多拉了。
老实说全程3倍数看完 实在对这一系列的所谓哲理不感兴趣
ohno是真的有点无聊的😴😴明明汇集了夏天 友情 大海 邂逅那么多浪漫因素却还是那么无聊 55非常想念千禧年时代的美式青春电影………
很喜欢里面的一句台词：人生很长，如果我们一直保持原来的自己，那就太无聊了
看到如此多的英灵出场，还是有点小激动的，但也仅此而已。
对于没玩过原作的人来说应该还是可以的，但是对于玩过原作的人来说属实有点微妙。期待了很久的医生第一宝具演出有点拉胯，其他来说还是不错的，如果时长能再长点就好了。
你的青春我的青春好像不一样~~
我在梦里遇见你的未来，就和你绘制的宇宙一样美好，有如梦似幻的你以及耀眼璀璨的光。
用有限的生命，面对死与断绝的存在。
就，只是把原台词又念了一遍，但还是又感动了！贞德那段话，还有医生呜呜呜
时有微凉不是风……虽然是糖水电影，但是意外的挺清新的。那个合成乐的背景音乐贯穿始终，对于爸爸的刻画很美国中年男，还有女主长得像Madison Beer，这些点比较加分
哭傻了是为学妹和医生哭的，电影仿佛什么也没有说。
果然还是学生时代的日子最有意思 不用带脑子看的电影
作为一个fgo老玩家，终局在游戏里是非常非常热血的，但是拍出来怎么感觉就少了点味儿
感觉还是弱了些，明明是一道一道闯过去，大家拯救人理，可以做得更热血……不过看着自己喜欢的英灵们战斗，还是好激动啊
根本问题还是过剧情太仓促，以终局的文本量本来可以不那么赶的，尤其是魔神柱闯关被浓缩成一段，游戏里英灵自发集结的持续高燃被严重削弱，玛修的复活也被一笔带过，感情铺垫欠缺。七发召唤的桥段加得很没必要，更何况在英灵的选择上也没看出什么深意，不如把这些时间腾出来刻画玛修。
各方面都还不错，就是没什么值得夸赞的地方，出场人物也多，但都缺乏精彩表现。
稍微用点心好吗……不是光把台词念一遍就可以了的 画面虽然没的说 但情节基本成了一个不存在的东西……
盖提亚的配音过于像旁白，以致于他说出口的也像旁白。还有战斗场景没有BGM是怎么回事？仔细思考一下，为什么游戏公司要拍电影呢？是为了吸引用户吧。那就应该让英灵们多一些戏份，谁要关心盖提亚的心路历程
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