Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?
The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)
From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
尽管最后元真儿和李栋旭真的吻得很硬，但看到一大票我喜欢的卡司们还是度过了愉快的两小时。
啊…我为什么喜欢讲冷笑话的帅哥啊，西8⃣️
温馨的爱情拼盘 营销一下可以称为韩版《真爱至上》
从片尾的花絮可以看出成片是阉割版，删了不知啥内容。本来就是卖情怀，达叔去世了就把达叔拿出来一起打感情牌……
卡司是喜欢的，三星全给演员，剧情就不说了。。。看完的感觉就跟去年看完《新年前夜》一样，没看之前因为主演阵容还还挺期待嗯，看了觉得没啥内容，浪费卡司了。
这…阵容很好呀怎么那么琐碎…导演才有强迫症吧，强行在凑对
很轻松就看完了对我来说就算爽片了，全片没有一个坏人（除了一个想挖角的金理事）全是温柔可爱憧憬爱情的善良的hg人，比起动不动就批判起社会黑暗的韩国电影来说，这就是一部明星云集的贺岁片，姜河那和允儿cp感十足，之前也有过一部救援逃难片相似的配方，阿姨叔叔那段我居然动心了阿姨演的太好了少女感十足，女主和男闺蜜的故事有点遗憾，还以为又是一个李大仁呢，强行安排了周六相亲男有点无语，社长和清洁工剧情最匪夷所思，怎么就爱上了，这样直接好吗，果然是不知廉耻，新年看挺有氛围感，衷心希望以后每年都可以开开心心Happynewyear!
小妞电影一部。意大利真的好美，男演员好有型。
没想到作为一部同人网大竟然能比刘镇伟亲自执导的《大话西游3》有趣这么多，值得肯定，给个四星吧。
就是很寻常的贺岁片可是很注重细节，温情是主题，平凡却仍让人触动的故事
2022年了我竟然还能看到这么俗气的电影OMG
很温暖治愈又好笑地把这群人关联起来，大家都带着遗憾重生，真好！配乐很有氛围感，权相佑的特别出演别把我笑死，有刘海儿的元真儿好漂亮，徐康俊的角色不太出彩但是好帅好帅ㅠ
创意不错，探讨了爱情的几种搭配可能，但剪辑稍乱，有时会懵。几个演员挺灵性的，就是有点话痨。
讲述了四个单身朋友以不同的组合成为情侣的故事，对“灵魂伴侣”度概念提出了挑战
就真是这样, 任何两个人, 只要彼此不反感, 呆在一起的时间足够久, 就会出现些许可以走到一起的契机, 也会出现不少需要你当下的感情(if applicable)所经受的考验, 感情之外的人生重大选择发生的时候, 你会因为身边的人(if applicable)和当下的自己的状态作出或类似或不同的选择, 有时候到底谁和谁在一起了其实没那么重要, 路是你(和身边人(optional)手牵手一起)走出来的, 要走一辈子, 无数的选择一点一点谱就你的人生之路。所以不用急, 要勇敢, 要多去认识人, 要遵从自己的头脑and/or内心。
遇到不同的人，我们会变成不同的自我，灵魂伴侣其实不存在！
看出来导演想打造韩版 Love Actually 场景集中到酒店倒是比较特别 但是多线故事并不是很成功 个人比较喜欢morning call 和经纪人两条 其他多多少少都有些崩坏 还是有点可惜的
节日氛围感电影。李栋旭的角色也太帅太好了吧！虽然更想看他和韩志敏组CP啊…
虽然，剧本老套，但是有点过年的味道，虽然是公历年。
看这个真的是浪费时间。看来韩国人这一年过得实在不舒心（不过全世界应该都是这样了），连年末的全明星拼盘电影都做得这么无聊了，可能是对以前那种没心没肺的喜剧套路也感到实在无力了吧。李东旭那条故事线最无语，什么朝鲜时代的设定…姜河那什么时候可以不要再演这种又怂又惨的角色…
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