Cameras are rolling on the French Caribbean island of Guadeloupe for the tenth anniversary series of BBC One’s hugely popular Death In Paradise, making it one of the first BBC single camera dramas to start filming since lockdown.
Red Planet Pictures have worked closely with industry bodies, other production companies and the BBC to develop a detailed Covid-19 protocol policy, implementing various safety measures including social distancing, face coverings and temperature and Covid-19 testing to minimise any risk of infection. There is also a full-time Covid-19 Supervisor on set to make sure the protocols are being implemented correctly and the latest guidance is incorporated into the policy. The health and safety of our cast and crew is paramount and production is working in line with the Guadeloupe advice as well as the industry guidelines.
Returning to the sun-soaked island to reprise their roles are Ralf Little as D.I. Neville Parker, Don Warrington as Commissioner Selwyn Patterson, Tobi Bakare as D.S. JP Hooper and Elizabeth Bourgine as Mayor Catherine Bordey.
As well as the usual baffling murders, intriguing puzzles and famous guest stars, viewers can expect some huge surprises as the show celebrates a decade as one of the most loved British dramas - and these surprises begin with the return of D.S. Florence Cassell, played by audience favourite Josephine Jobert. Florence thinks she’s ready to get back to work after her fiancé’s death two years ago - but she hasn’t banked on her new boss, Neville. As she tries to understand his peculiarities, sparks are bound to fly…
Neville soon realises he is existing in the Caribbean, rather than embracing life there. With Florence’s help, he determines to seize the day and finds himself starting to reveal some of his secrets - including of a romantic nature. But is Neville really built for a life in the tropics? And is a romantic relationship ever going to be possible for him?
After two series bringing law, order, and joy to the streets of Saint Marie, we’re sad to say goodbye to Ruby Patterson who made such a massive impact in such a short time! DS Madeleine Dumas will also be departing Saint Marie’s sunny shores and we would like to thank Shyko Amos and Aude Legastelois-Bidé for bringing Ruby and Madeleine to life and wish them all the very best for the future.
We are excited to welcome a brand-new face to the team, in the shape of Tahj Miles. His character, 18-year-old petty criminal Marlon Pryce, is a ball of energy and thinks he knows it all. But when he runs into JP, his life takes an unexpected turn and he finds himself looking at a very different future to the one he expected.
The arrival of twins is the least of JP’s challenges as he finds Marlon - and some shocking developments at work - testing him to his limits. Selwyn’s frustrations with his new detective take a back seat when he finds himself in the firing line and Catherine’s life is turned upside down when the death of a friend pulls her into grave danger.
Executive Producer, Tim Key, says: “We are delighted to be able to start filming and can’t wait to celebrate our tenth series with our audience. It’s a joy to be working with Josephine Jobert again and we think the viewers will love watching her trying to get to grips with Neville. And we are very happy to welcome Tahj Miles to the show. Marlon is going to make real waves once he arrives in Saint Marie. We’ve got some real treats for our long-term viewers as the series progresses - including some major surprises and the possibility of another returning face or two. We are determined to make this our biggest and best series yet and can’t wait to take our viewers back to Saint Marie in 2021.”
Red Planet Pictures' Joint Managing Director, Alex Jones, says: “Like every other production company, we have faced huge challenges to get to this point, so we are delighted to be up and running again and extremely grateful to everyone who has helped us get this far, not least the people of Deshaies and the region of Guadeloupe for their assistance. The safety of our cast and crew - as well as our friends in Guadeloupe - is the most important thing to us and our policies have been designed to protect everybody whilst still delivering an amazing series for our tenth year.”
BBC Commissioning Editor, Tommy Bulfin, says: “We are so pleased that filming has started on this special tenth anniversary series of Death In Paradise. This series is packed-full of captivating cases and unexpected twists, as well as some really great surprises for fans of the show. Thanks so much to Red Planet Pictures for working so hard to make it happen.”
Death In Paradise is a Red Planet Pictures production for BBC One made with the support of the region of Guadeloupe and internationally distributed by BBC Studios. Series ten is produced by Jim Poyser.
以前一直说国产动画电影技术不行，这次被狠狠打脸了。除人物外的各种建模，场景纵深，光影渲染，材质精细程度都有了质的提升。有了技术，自然需要一个合格的剧本，加上足够优秀的原创音乐。谁说中国动漫电影就只会从中国神话题材里面找素材？基于传统文化的现实主义题材一样可以出彩！前半部分影院里面的小朋友们还叽叽喳喳，渐入佳境之后就没有发出任何的杂音了。一股难得的少年气直冲云霄，一切定格在了那明知不可为而为之的瞬间！中国原创动画的大旗，就靠这些年轻人们扛起了！
那些以人物丑为观点的傻叉，真的不知道如何喷。这片子至少是我今年看过最好的一部电影（包含真人与动画）！三个人物前期的状态对应了猫、猴和猪，是在他们废材期，后期三个人物形象是有升华的，至少主角是病猫变雄狮。不要人云亦云，看过才知好与坏。
我快要死了，那就让我来教你如何在飞扬的尘土中演奏一场名为“live a little”的烟花。
汽车还在用太阳能板，请问机器人的续航是怎么回事？体型这么大，算力这么强，续航还无敌。我250g重量大疆无人机30分钟续航，和5分钟就过热保护的action2相机躲在角落默默流泪。
今年的惊喜动漫电影，不是神话传说，而是现实国粹题材。依然很燃很热血，难得都是接地气，细节讲究，做到了很励志很感人，却又不傻，满满的诚意和才华。结尾差一点点就俗套了，但是没有，做到了从始至终的讲好了故事
离家的人啊，我敬你一杯酒。遥遥万里，总不想放弃。舞狮元素的《雄狮少年》，年度最佳动画电影。人这辈子，就像舞狮，上山下山。我们每个人都有自己的路要走。一个舞狮的体育类型片做得这么怦怦心跳，燃魂潇洒，好喜欢。英文名：I am what I am，也喜欢，里面每首歌都喜欢。我们永远要做一头雄狮啊。希望票房大卖。
此片就像苹果翻新库存重新上架一样，毫无新意，可有可无的产品。适合拍成10分钟短片。
开始还觉得找到了COCO、麦兜、周星驰、功夫熊猫等等作品的影子，但都是成功借鉴毫无偷师滥用之嫌，慢慢的，雄狮便只是雄狮。它的成功是多方位的——对当今观众观影习惯和痛点的深刻理解，让每一个情绪都精准穿透（我就哭了全片一百多分钟吧）；对市场的了解抓住了年末但尚未恢复繁荣的经济形势，这剂热血强心针太有必要；对社会的认知抓住了留守少年这个庞大的易被忽视的而对社会发展又有着巨大起承转合影响的人群；当然最终还要归功于精良的制作，太过写实的手法我其实一直都持保留意见，觉得那不如拍一部真人电影好了（剃头之后的阿娟又那么像四字）直到最后一个惊艳镜头，它给出了动画的全部意义。把九连拿出来最后说，因为太喜欢他们而在脑海中构想过几乎每首歌可能的电影画面，但今天，我被折服了，这堪比歌与电影互相量身定制，而他们都值得。
这是啥破电影啊就8分多，要情节没情节，要表演没表演，要科幻没科幻，只有中国给这么高分数，疫情憋着了吧！
科幻废土版鲁宾逊漂流记。汤姆汉克斯的独角戏，一人一机器人一狗，末日生存。老汉爱狗，甚至把救狗照顾狗设定为机器人的最高优先级。整体平淡了些，节奏也慢，片子很长，少半个小时会更好
充满粤语文化圈色彩的一部片，如果能看纯粤语版本或许会更有趣些。电影内核非常周星驰，咸鱼翻身的励志轻喜剧，剧本桥段有些刻意和陈旧的地方会令人尬住，人物塑造的篇幅分配也还值得商榷，整体完成度还是很好的。较特别的一点是，这似乎是我记忆中所有叫好国产动画电影中第一部毫无奇幻/科幻元素的，比起那些游戏cg一样的场景与战斗特效，这次的乡村和城市底层视角都做得很有质感，现实主义的风味很浓厚，值得肯定。四星。
在影院看到泣不成声，从来没见过阿秋流眼泪。国产动画与现实主义题材结合，讲述留守儿童和底层的生活和梦想，阿珍和阿强的爱情延续到动画里，成了一束光。五条和九连的歌配在里面恰如其分，太好的片子。
Jeff是怎么做到这么传神的……在那张没有五官，只有两个镜头的红色铁皮上，我居然能看到惊喜，自责，悲伤和快乐
“谢谢我的狗，我的机器人，谢谢我的老年，我的疾病，谢谢我的死亡，与，我的生命……”
眯缝眼宽眼距吊梢眼，主创这部剧在法国拿了奖，刻意迎合国外对国人的恶趣味，打着国漫的旗号做着恶心人的事在国内割韭菜
别扯哪吒是国漫崛起，这部才是。瑕不掩瑜的好，留守儿童，进城民工，内核够支撑剧情。光影好，近远景切的时机好，电影感强，细节满分，飞跃的球鞋，甚至连舞狮比赛美的的广告都很真实。扣分也有，节奏还有进步空间，煽情多了容易滥情，看得出想法多，有情怀但也可以有取舍。有很多致敬片段和无聊的玩笑也可以删减（最后，导演怕不是乐队的夏天脑残粉吧？
三星半吧，不就一个典型的低成本机器人题材科幻片？比《机器人与弗兰克》《超能查派》等没好到哪儿去。还不如《寂静之地》当初给我的惊喜呢。本片基本还是套路，除了机器人萌一点（满口毛子味道英语？）。这个机器人塑造得也太“人性化”，形不成人与机器关系的思考——就当它是汉克斯的傻儿子好了！由于角色只有两个“人”，导致缺乏真正有力的冲突，特别是落入陷阱一场，简直是匆匆带过。结尾回到父子关系上，也缺少真正的情感冲击力，明信片就很套路，金门大桥上的照片墙同样套路。怎么说呢，就是比较简单、温暖，但难有震撼和回味。
我最爱的国漫出现了！！我欠它一张电影票！！！本以为是男主努力拼搏实现梦想追到女神的爽片，没想到后半程丝滑到不行，直接滑到我心里了！画面很美，几首bgm也很加分，把中国传统文化巧妙融在细节里，那些说rh的都是为黑而黑吧，反正我是准备2刷粤语版了。
最后的彩蛋把片子整体拔高了一星，实在喜欢。
编写过千万行程序，也算不出告别的方式；清除了百十种障碍，却再没时间重新开始。你需要物理知识来学习行走，也需要自由意志去踩下油门，我需要科学技能在末日避难，更需要艺术火花点燃生命。
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