A witty, exhilarating and mind-expanding exploration of the word of our times - data - with mathematician Dr Hannah Fry. Following in the footsteps of BBC Four's previous gleefully nerdy, award-winning maths films The Joy of Stats, Tails you Win - The Science of Chance and The Joy of Logic, this new high-tech romp reveals exactly what data is and how it is captured, stored, shared and made sense of. Fry also tells the story of the engineers of the data age, people most of us have never heard of despite the fact they brought about a technological and philosophical revolution.
For Hannah Fry, the joy of data is all about spotting patterns. She's Lecturer in the Mathematics of Cities at UCL as well as being the presenter of the BBC series Trainspotting Live and City in the Sky, and she sees data as the essential bridge between two universes - the tangible, noisy, messy world that we see and experience, and the clean, ordered, elegant world of maths, where everything can be captured beautifully with equations.
Along the way the film reveals the connection between Scrabble scores and online movie streaming, explains why a herd of Wiltshire dairy cows are wearing pedometers, and uncovers the remarkable network map of Wikipedia. What's the mystery link between 'marmalade' and 'One Direction'?
The Joy of Data also hails the giant contribution of Claude Shannon, the American mathematician and electrical engineer who, in an attempt to solve the problem of noisy telephone lines, devised a way to digitise all information. It was Shannon, father of the 'bit', who singlehandedly launched the 'information age'. Meanwhile, the green lawns of Britain's National Physical Laboratory host a race between its young apprentices in order to demonstrate how and why data moves quickly and successfully around modern data networks. It's all thanks to the brilliant technique first invented there in the 1960s by Welshman Donald Davies - packet switching - without which there would be no internet as we know it.
But what of the future, big data and artificial intelligence? Should we be worried by the pace of change, and what our own data could and should be used for? Ultimately, Fry concludes, data has empowered all of us. We must have machines at our side if we're to find patterns in the modern-day data deluge. But, Fry believes, regardless of AI and machine learning, it will always take us to find the meaning in them.
企鹅真的离谱
小公主暗杀未婚夫那里太可惜了，只差1cm。
2022.3.5 Netflix
希望光洙可以接一些高质量的剧本，不然白瞎这演技，和搞笑天分
流水线产品，打击感轻飘飘的，花拳绣腿一般的套招，看得眼皮打架哈欠连天。
为了54看的，主角真的蛮搞笑的，女主很好看而且超帅
结果看了发现感官比我想象的好。首先动作设计比我预料的出色太多，打戏很连贯，没有太多切换镜头，而且给公主的动作设计基本上是靠身形灵活打败敌人而不是靠蛮力，所以可信度高了很多。
百名壮汉做成背景墙，三个女人的功夫戏，绝对政治正确。最后一秒是亮点。
寻找宝藏的海盗和山贼，一部古装冒险夺宝片。故事情节也还好，也试图搞得轻松活泼，但是那种声嘶力竭大喊大叫式的表演方式，看着都累！
大爽片，几乎无台词，无剧情，无男主。纯打。看久了未免有点累
这可能是今年目前动作戏最好的动作片了，虽然达不到让人感到很爽快，但打发时间还是可以的。
就武打爽片来说，非常合格。打戏比国内武侠片好多了。
懦弱至极的国王与开了挂的女儿公主的家庭矛盾与二比反派的老套故事。
因悔婚而被造反者囚禁的公主，一路杀死出救出国王和子民。犹如战神附体！
希望光洙可以接一些高质量的剧本，不然白瞎这演技，和搞笑天分
虽然演员不是第一部的了，但结构、剧情没变，同样的喧闹、搞笑和精彩，尤其闪电剑阵创意十足，最后韩孝周的强硬一吻惊艳全场！
高开低走，难怪如此明显的3D效果最后选择了网络发行，动作设计不断重复，开场以女性角色占到的惊艳首发，迅速失去快感，主要演员的身手缺陷越来越明显。公主躲进澡盆的桥段翻版倩女幽魂，直接唤醒了对香港电影黄金时代女演员明艳动人的记忆，公主就会让大东亚区观众觉得，这姑娘实在不够好看。导演虽然算香蕉人，可英语似乎还不够好，人物塑造特别平庸造作，甚至有硬伤，反派质问手下“这是我问的吗？”ask只有非英语母语的人容易只当成“问”，而在英语环境里这词常用的含义是“请求”，这里恰当问句应该是换用名词question，不然英语观众反倒会产生歧义，理解不了这个梗，骄横跋扈的反派不会ask，只会tell
看到了加勒比和海贼王的影子
没什么亮点，到了后面感觉编剧是喝高了，各种随意和天马行空各。整个故事就剩下个编了。唯一的亮点李光洙。
小公主暗杀未婚夫那里太可惜了，只差1cm。
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