The Freebie centers on Darren (Shepard) and Annie (Aselton), a young married couple with an enviable relationship built on love trust and communication. Darren and Annie still enjoy each other’s company and laugh at each other’s jokes, but, unfortunately, they can’t remember the last time they had sex. When a dinner party conversation leads to an honest discussion about the state of their love life, and when a sexy bikini photo shoot leads to crossword puzzles instead of sex, they begin to flirt with a way to spice things up. The deal: one night of freedom, no strings attached, no questions asked. Could a freebie be the cure for their ailing sex life? And will they go through with it? With a keen eye and fresh take, Aselton’s directorial debut shines with crisp storytelling and fine-tuned performances. THE Freebie is an insightful and humorous look at love, sustaining relationships , and the awkwardness of monogamy when the haze of lust has faded.
看完更觉得tv拍的什么玩意,主题选的很好孤星难明,感觉借鉴了迪迦25集(基二。不像tv天天在哪只是空荡荡的喊着是光也是人类。剧场版起承转合对比到位。活生生拍成了令和雷欧。提起《特利迦》什么玩意,提起特利迦真男人。
剧场版泽塔和遥辉回归黑化表现精彩,黑特和光特,泽塔,打戏和文戏非常完美。
由于TV版跟个💩一样衬托这部好看,其实就是中规中矩的一部
个人感觉十分不错,值得五星好评,建议新人入股时,先看特别篇,然后TV舍去开头和结局
更像是一部19世纪的历史书 燃起我对原著的兴趣
想着并守护着彼此间重要的人;
谁再说你拿的不是女主剧本!Akito! “俺也一样!”😎
1. 一句好话要好过一本烂书。
一般般吧
我感觉比TV好了那么一点,至少反派的理由在我看来是说的过去的。
什么叫反向致敬啊(战术后仰(泽宝yyds
非常好,演员演技都很到位,特别喜欢伊古尼斯
虽然不是个好故事,但是跟TV比已经是矮子里挑高个了
只能说吊打TV,8.1高分,高了不知道多少。
{★★★★} 19世纪的新闻业与今时今日相比,到底有多大差异呢?它们都让我想起朋友对我说过的话:在资本主义下,人最宝贵的美德是诚实。所以不惜跟Pitchfork或Rolling Stone叫板,Robert Christgau都要做一个讨人嫌的、诚实的人。巴尔扎克讽刺金钱世界的名句太多,这里摘抄不下。但电影斥巨资搭建的这个虚拟的19世纪法国同巴尔扎克的文字一样折射出了阶级利欲的各方各面,而就像所有优秀的艺术,它首先是一部能娱乐你的电影--不啻说,残酷地娱乐。
看点是泽塔的黑化。
只能说吊打TV,8.1高分,高了不知道多少。
“你想要为大家带来笑容,那么我就为你带来笑容!”
完全是看在欧斯超人的面儿上多打了一颗星,平平无奇的鸡肋作品…
如果没有泽塔的回归,特利迦剧场版不可能7.5分的
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